This week’s On Story, two modern family adventure films. First we hear from The Jungle Book screenwriter Justin Marks discussing the 2016 Disney film based on the Rudyard Kipling classic and inspired by the 1967 animated film of the same name. The Jungle Book features an all-star cast including Bill Murray, Ben Kingsley, and Idris Elba as well as new comer, Neel Sethi and was directed by Jon Favreau. Later, Hook screenwriter Jim Hart and the actor who played one of the film’s beloved Lost Boys, Rufio, Dante Basco.

This episode features two modern family adventure films: the 2016 Disney reboot of The Jungle Book and the 1991 classic, Hook. The Jungle Book is based on the work of Rudyard Kipling and inspired by the 1967 Disney animated feature. The film incorporates live action star, young new comer Neel Sethi and an all-star cast of jungle animals voiced by the likes of Bill Murray, Scarlett Johansson, Lupita Nyong’o, Giancarlo Esposito, Christopher Walken and Idris Elba. The Jungle Book is also the final appearance of comedy great Garry Shandling and was released less than one month after his death. In our next segment, screenwriter Justin Marks, describes the combination of CGI and artists renderings that resulted in the films compelling characters.

The 1991 fantasy adventure, Hook depicts an adult Peter Pan who forgot Neverland and grew up. The film stars the late Robin Williams as Peter, Dustin Hoffman as the title character Captain Hook and co-stars Julia Roberts, Maggie Smith, the late Bob Hoskins, and one of our next guests, Dante Basco as Lost Boy, Rufio. AFF film competition director, Harrison Glaser spoke with Dante Basco and Hook screenwriter, James V. Hart at a special screening of Hook in 2014 at the Texas Spirit Theater in Austin.

Direct download: OnStory_JungleBookRefeed.mp3
Category:Film and Television -- posted at: 4:19pm CDT

This week, we talk with Ed Solomon, the comedic screenwriter behind Hollywood classics Bill and Ted’s Excellent Adventure, Men in Black, and Now You See Me. Solomon looks back on his long journey working on Men in Black, and discusses working with industry icons such as Barry Sonnenfeld, Tommy Lee Jones, and Will Smith.

Ed Solomon is the co-writer for the screenplays Bill and Ted’s Excellent Adventure and its sequel, Bill and Ted’s Bogus Journey, and also wrote on It’s Garry Shandling’s Show for its first three seasons.  He then penned the screenplay for Men in Black, and many others, including the first X-Men (uncredited).  Since then he’s worked on all sorts of films, including Levity, which he also directed. He wrote the Lion’s Gate film Now You See Me, Now You See Me 2, Sony Picture’s How to Disappear Completely, and Colossus for Universal Studios.

Ed Solomon spoke with Barbara Morgan at the 2014 On Story Release Party, held at the KLRU Studios in Austin Texas.

Direct download: OnStory_EdSolomon_062617.mp3
Category:Film and Television -- posted at: 12:10pm CDT

This week, in honor of our new Fiction Podcast Scipt Competition, we explore the world of Fiction Podcasts, talking with the writers of hit podcasts Limetown and Homecoming, Skip Bronkie, Zach Akers and Micah Bloomberg. 

Direct download: OS_Special_-_Fiction_Podcast_Podcast.mp3
Category:Film and Television -- posted at: 2:39pm CDT

This week, screenwriter Scott Frank looks back on his career writing some of the most inspired adaptations of our time, including Get Shorty, Out of Sight, and Minority Report. But first, Frank discusses his work on The Wolverine and Logan, and his unique experience writing within the Marvel Universe.

In 2008, Scott Frank’s directorial debut, The Lookout, won the Independent Spirit award for “Best First Feature.” Along with The Lookout, Mr. Frank’s other screenplays include Little Man Tate, Dead Again, Malice, Heaven’s Prisoners, Get Shorty, Out of Sight, Minority Report The Interpreter, Marley & MeThe Wolverine, Logan and A Walk Among the Tombstones, the latter which he also directed. Mr. Frank created and directed the Netflix western series Godless.

Scott Frank spoke with Austin Film Festival Executive Director, Barbara Morgan, at 2015 year-round event in Austin, Texas, as well as directly after the release of the 20th Century Fox release of Logan in 2017.


Direct download: OnStory_Scott_Frank_062017.mp3
Category:Film and Television -- posted at: 2:16pm CDT

This week, Oren Uziel, the screenwriter behind 22 Jump Street and Freaks of Nature looks back on how he got his start in the film industry and his first experience directing his own screenplay, Shimmer Lake. Then, Uziel joins The Hunger Games: Mockingjay screenwriter Peter Craig and Rise of the Planet of the Apes writing duo Rick Jaffa and Amanda Silver for a discussion on sequels and trilogies.

Oren Uziel wrote and directed the feature film Shimmer Lake which previously won an award at the Austin Film Festival Screenwriting Competition. His other credits include 22 Jump Street, Freaks of Nature, and The God Particle.

Uziel spoke with Austin Film Festival’s Executive Director Barbara Morgan following the release of Netflix’s Shimmer Lake in 2017.

Oren Uziel joins fellow screenwriters Peter Craig, Rick Jaffa, and Amanda Silver for a discussion on writing sequels and trilogies.

Peter Craig’s writing credits include The Hunger Games: Mockingjay – Parts I and II, as well as The Town and Blood Father. Writing partners Rick Jaffa and Amanda Silver are known for their work on Rise of the Planet of the Apes and Dawn of the Planet of the Apes, as well as collaborating on Jurassic World, The Hand That Rocks The Cradle, Eye for an Eye, and The Relic.

Uziel, Craig, Jaffa and Silver spoke at the 21st annual Austin Film Festival with moderator Allen Odom in 2014.


Direct download: OnStory_Sequels_and_Trilogies_061217.mp3
Category:Film and Television -- posted at: 10:00am CDT

On this special edition of the On Story Podcast, Oren Uziel discusses how he leveraged his success after winning AFF’s Screenplay Competition for his script Shimmer Lake to make a career change from being a lawyer in New York to a screenwriter in LA. He also shares his journey writing, developing, and eventually directing Shimmer Lake which debuts June 9th on Netflix. Uziel’s credits also include 22 Jump Street, Freaks of Nature, and the upcoming Cloverfield film The God Particle.

Direct download: OS_SPECIAL_OREN_UZIEL.mp3
Category:Film and Television -- posted at: 7:31am CDT

This week, screenwriters discuss adapting novels and comic books for both film and television. First, Bryan Fuller and Michael Green give an inside look at the process of turning the critically acclaimed Neil Gaiman novel American Gods into a television series. Then, Green joins Ashley Edward Miller and Nicole Perlman for a discussion on the worlds of Marvel and DC, and how they approached adapting beloved comic books for the big screen.

Bryan Fuller and Michael Green are executive producers and co-showrunners on Starz’s American Gods adapted from Neil Gaiman’s award winning novel. Green and Fuller also worked together on Heroes, where they served as writers and producers.

Bryan Fuller got his start writing on Star Trek: Deep Space Nine and Star Trek: Voyager, followed by Showtime’s Dead Like Me. Fuller went on to create the critically acclaimed series Wonderfalls for Fox and the Emmy Award wining Pushing Daisies for ABC. Fuller then developed and executive produced Hannibal on NBC.

 Along with Heroes, Michael Green’s created and executive produced NBC’s Kings and ABC’s The River, as well as having writing and producing credits on Everwood, Smallville, Jack and Bobby, and Sex and the City. Green’s feature work includes writing Logan, the sequel to Blade Runner; Ridley Scott’s Alien: Covenant; the final installment of The Wolverine series; and co-writing the Warner Bros./DC Comics adaptation of The Green Lantern.

Bryan Fuller and Michael Green spoke with Austin Film Festival’s Executive Director, Barbara Morgan, following the release of American Gods in 2017. 

Next, screenwriters discuss adapting beloved comic books for the big screen, including Thor co-written by Ashley Edward Miller, the 2014 blockbuster Guardians of the Galaxy co-written by Nicole Perlman, and; the Warner Bros./DC Comics adaptation of The Green Lantern co-written by Michael Green.

Michael Green, Ashley Miller, and Nicole Perlman spoke with screenwriter Alvaro Rodriguez at the 21st annual Austin Film Festival in 2014.



Direct download: OnStory_Adapting_Comics_050517.mp3
Category:Film and Television -- posted at: 6:15pm CDT

This week's On Story, hear from the teams behind Orange is the New Black, Casual, and Wet Hot American Summer as they discuss pushing boundaries through comedy and the new frontier of television distribution.

Jenji Kohan is a writer, producer and showrunner, whose writing credits include The Fresh Prince of Bel Air, Mad About You, Sex in the City, and Gilmore Girls. She created the popular Showtime series Weeds, which garnered her a Writers Guild Award for ‘Best Episodic Comedy’. Kohan’s Netflix original series Orange is the New Black is based on Piper Kerman’s memoir by the same name, and follows Kerman’s 15-month sentence at a minimum-security federal prison. The following segment with Jenji Kohan was recorded in 2013 at the 20th Austin Film Festival. 

Orange staff writers Lauren Morelli and Stephen Falk take us deep inside the writer’s room for a look at the process of making this hugely popular series.

The Hulu original series Casual is created by Zander Lehmann and developed by writer director Jason Reitman, producer Helen Estabrook and screenwriter Liz Tigelaar. This conversation was moderated by producer and manager Linnea Toney at the 22nd Austin Film Festival in 2015. Indie film writer and director Jason Reitman talks about his first experience working in television, and the major differences in the creative process.

Direct download: Refeed_OnStory_Radio_052617.mp3
Category:Film and Television -- posted at: 2:48pm CDT

This week, Robin Swicord discusses adapting and directing the E.L. Doctorow short story, Wakefield, and screenwriter Jenny Lumet looks back on her critically acclaimed film, Rachel Getting Married, and working with legendary director Jonathan Demme.

Robin Swicord is primarily known for her work as a screenwriter for Memoirs Of A Geisha, Little Women, Matilda and Practical Magic. In 2009 Swicord received an Oscar nomination for her contribution to The Curious Case of Benjamin Button, a project Swicord originated and worked on for more than a decade. Swicord made her feature-directing debut with The Jane Austen Book Club, for which Swicord also wrote the screenplay adaptation. She directed her second film, Wakefield, in 2016, which she adapted from a short story by E.L. Doctorow. Robin Swicord spoke with Austin Film Festival Executive Director Barbara Morgan following the release of Wakefield in 2016. Clips in this episode copyright IFC Films, Mockingbird Pictures, and Dominion Pictures.


Jenny Lumet is the screenwriter of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, Toronto Film Critics Association Award, Washington D.C Film Critics Association Award, and an NAACP Image Award. She has worked in both film and television, and is an Executive Director of BINDERCON, a conference for Women and Non-gender conforming writers. Jenny Lumet spoke with Christopher Boone at the 22nd annual Austin Film Festival in 2014. Clips in this episode copyright Sony Pictures Classics Inc.



Direct download: OnStory_Lumet_Swicord.mp3
Category:Film and Television -- posted at: 12:19pm CDT

This week, Emmy-award winning writers Greg Daniels and Alan Yang look back on their respective journeys writing some of television’s greatest comedies. Daniels reflects on his writing career ranging from Saturday Night Live, to adapting the American version of The Office and co-creating Parks and Recreation. Master of None co-creator Alan Yang then discusses writing naturalistic comedy culled from personal experience, crafting cultural commentary, and the importance of representation in the media.

Direct download: OnStory_YangDaniels_051717.mp3
Category:Film and Television -- posted at: 8:10pm CDT