This week on On Story, a conversation with Nicole Perlman and Jodi Hildebrand on their experiences as writers and producers working with existing intellectual property, or IP. 

Nicole Perlman is best known for working as a co-writer on Marvel’s Guardians of the Galaxy, and Captain Marvel, as well as Detective Pikachu. For eight years, Perlman has worked as a Creative Advisor at the Sundance Screenwriting Labs, in addition to mentoring for Global Media Makers, Women in Film, the BlackList, and more. She is currently developing television projects for Fox Searchlight, Amazon Studios, and Netflix. 

Jodi Hildebrand is a film and TV producer, who currently runs the Scripted Television and Film team at Conde Nast Entertainment. In this role, Hildebrand works with writers from publications like The New Yorker, and Vanity Fair, on adapting their articles for film or television. Hildebrand recently produced the 2018 film adaptation of Peter Rabbit, and its sequel, Peter Rabbit 2: The Runaway. 

AFF moderator Paul Alvarado-Dykstra sat down with Perlman and Hildebrand for a conversation on the ins-and-outs of working with existing IP, from respecting the lived experiences of the protagonist in a true story, to optioning the rights to your favorite book. 

Clips of Guardians of the Galaxy courtesy of Walt Disney Studios Motion Pictures. 

Clips of Luke Cage courtesy of Disney+.

Clips of Thor: Ragnarok courtesy of Walt Disney Studios Motion Pictures. 

This week on On Story, a covnersation with writer-director Rian Johnson on his love of genre media from noir to sci-fi, and the long process of outlining which allows him to craft intricate stories without getting lost in the second act.

Johnson made his directorial debut in 2005 with the neo-noir mystery, Brick. Set against the backdrop of a suburban high school, Brick draws inspiration from classic noir mysteries while adding a coming-of-age twist. Johnson dove into the sci-fi genre with his time-travel action-thriller Looper, released in 2012. Starring Bruce Willis, Looper follows the work of contract killers who are tasked with executing targets who have been sent backwards through time by crime syndicates from the future. Next, Johnson served as writer-director for Star Wars: The Last Jedi, an installment of the Star Wars sequel trilogy. Most recently, Johnson has been busy writing, directing and producing his murder-mystery film franchise Knives Out.

After earning Johnson an Academy Award nomination for Best Original Screenplay, Knives Out was followed by its first sequel, Glass Onion. The third film in the series, Wake Up Dead Man, will be coming to select theaters this November before streaming on Netflix. The series is known for its star-studded ensemble cast, led by Daniel Craig, as the eccentric, gentlemanly detective, Benoit Blanc. In addition to his work in film, Johnson has also directed episodes of Breaking Bad and created the case-of-the-week crime-comedy series Poker Face, starring Natasha Lyonne. 

Barbara Morgan sat down with Rian Johnson for a conversation on his expansive career and his intricate writing process.

Clips of Brick courtesy of Focus Features.

Clips of Looper courtesy of Sony Pictures Releasing.

Clips of Knives Out courtesy of Lionsgate.

Clips of Poker Face courtesy of Peacock.

This week on On Story, a conversation with Julie Plec on her love of YA storytelling, and her experience co-creating and co-showrunning The Vampire Diaries.

The Vampire Diaries is a supernatural, romantic teen-drama which ran for 8 seasons from 2009 to 2017. The show follows the life of a mortal teen girl, Elena Gilbert, as she navigates grief, love triangles, small town politics, and supernatural threats from ghosts, to werewolves, to evil doppelgängers. The success of The Vampire Diaries allowed Plec to expand this magical world into two spinoff shows, The Originals, and Legacies. 

Plec began her career as a co-producer and personal assistant to Wes Craven while he directed the first three installments of the Scream franchise. She did rewrites for Scream and Scream 2, and in that process she befriended legendary horror screenwriter Kevin Williamson, who would later become her co-creator and co-showrunner on The Vampire Diaries. Plec has gone on to serve as co-creator and co-showrunner of Peacock’s Vampire Academy, and direct episodes of Roswell, New Mexico, and Riverdale. In 2020, her production company, My So-Called Company, signed an overall deal with Universal Television, which included the production of her new show for Amazon Prime, We Were Liars.

AFF moderator Fabienne Harford spoke with Plec about how she responds to pressure from fans while writing, and her insistence on writing YA content that respects its audience. 

Clips of Vampire Diaries courtesy of CBS Studios and Warner Brothers

Clips of the Originals courtesy of CBS Studios and Warner Brothers

Clips of Riverdale courtesy of CBS Studios and Warner Brothers

This week on On Story, a conversation with Gia Coppola on her process directing The Last Showgirl.

This dazzling drama follows the sunset years of Shelly Gardner, a middle-aged Las Vegas showgirl, played by Pamela Anderson. Shelly faces an uncertain future after the iconic revue she’s been starring in for decades stages its final performance. At the same time, Shelly must navigate her relationships with her fellow dancers, and her estranged daughter, played by Billie Lourd. The film had its Texas premier at the 2024 Austin Film Festival, and went on to receive nominations at the Golden Globes and the SAG Awards. 

Gia Coppola is a director and screenwriter who made her directorial debut in 2013 with Palo Alto, a coming-of-age drama following a group of self-destructive teenagers in a California suburb. 

I sat down with Coppola to talk about her collaborations with her star–studded cast including Jamie Lee Curtis, and John Bautista, and her process bringing the glitz and glam of The Las Vegas Strip to the big screen. 

Clips of The Last Showgirl provided by Roadside Attractions. 

This week on On Story, a conversation with screenwriter Mark L. Smith on writing Twisters – the 2024 summer film that took audiences by storm…literally! The action-packed, thrilling adventure directed by Lee Isaac Chung is a standalone sequel to the 1996 film Twister starring Helen Hunt and Bill Paxton and produced by Austin Film Festival awardee Kathleen Kennedy. Yet, as the plurality suggests, stakes are raised in Twisters as meteorologist Kate Copper, played by Daisy Edgar Jones, tests a groundbreaking storm tracking system. Copper’s world spirals when she crosses paths with cowboy, social media superstar Tyler Owens, played by Glen Powell as the two storm chasers fight for their lives in the plains of Oklahoma. 

Mark L. Smith is best known for writing the screenplays The Revenant, starring Leonardi Di Caprio whose performance in the film earned him the Academy award for Best actor, The Midnight Sky, directed and starring George Clooney, and The Boys in the Boat, produced and directed by Clooney. Simply put, Smith is a mastermind at crafting stories that are sure to keep audiences at the edge of their seats. 

I sat down with Smith at our annual Writers Conference to discuss writing captivating action sequences and his process of writing a script which both honors and builds off the original 90s blockbuster. 

Twisters clips courtesy of Universal Pictures, Warner Bros. Pictures.

This week on On Story,  a conversation with the creator and showrunner Tanya Saracho on her process crafting the hit Starz television series Vida.

Saracho is a critically-acclaimed playwright and television writer known for featuring authentic latine storylines. In fact, Saracho co-founded the Untitled Latinx Project (ULP), whose mission is to increase Latine representation in television through content created by Latine writers and directors. Further, Saracho also launched the Ojalá Ignition Lab, an incubator program aimed to nurture, amplify, guide, and empower intersectional Latine voices. 

With her roots in Theatre, Saracho formed Chicago's Teatro Luna in June 2000. This ensemble of all latina women helped establish Saracho as a theater artist before she ultimately co-founded The Alliance of Latinx Theater Artists (ALTA) of Chicago. Saracho’s dedication to diverse stories carried over to her television work as she wrote on popular female-driven shows such as Devious Maids, Girls, and How to Get Away with Murder before Saracho created Vida for Starz.  

Vida, the heartwarming family drama, quickly became a critical success upon its release, charming critics and audiences alike with its tale of two mexican-american sisters who return home to Boyle Heights, Los Angeles after the death of their mother. The show, which aired for three seasons, artfully tackled gentrification in LA, fraught family dynamics, and sexuality from an authentic latine point of view.

AFF moderator and writer herself Marcelena Campos Mayhorn sat down with Saracho to discuss creating the pioneering series. 

Vida clips courtesy of Starz Entertainment. 

This week on On Story, a conversation with screenwriter Meg LeFauve on her career as a writer at Pixar, where she co-wrote Inside Out and Inside Out 2, as well as The Good Dinosaur.

Inside Out follows the personified emotions of Riley, a young girl who struggles to fit in after her family relocates from Minnesota to San Francisco. Riley’s emotions are stored as memories, and her most impactful experiences become core memories, which each define a central part of her personality. The story follows the chaos that ensues after Joy and Sadness go missing in the depths of Riley’s mind, leaving Fear, Anger, and Disgust in control of Riley’s emotional reactions. Inside Out 2 picks up when Riley is entering high school and follows the clash between Riley’s original emotions, and four new additions: Anxiety, Envy, Embarrassment, and Ennui. Both films were Oscar nominated, including a nomination for LeFauve for Best Original Screenplay for her work on Inside Out. 

LeFauve began her film career as a producer and president of Jodie Foster’s production company Egg Pictures. LeFauve produced The Dangerous Lives of Altar Boys, which won the 2003 Independent Spirit Award for Best First Feature. I spoke with LeFauve about her experience taking the leap and moving from her stable producing career into the chaotic world of writing for Pixar. After Inside Out she went on to work as a writer on Captain Marvel, Onward, and My Father’s Dragon. LeFauve also co-hosts the Podcast, The Screenwriting Life, which is dedicated to the craft and profession of screenwriting. 

I sat down with Meg LeFauve to discuss her journey from producer to Oscar nominated writer. 

Clips for Inside Out courtesy of Disney Plus and Disney Enterprises, Inc

This week on On Story,  a conversation with director Juel Taylor and writer-producer Tony Rettenmaier on the making of their debut, genre-bending feature, They Cloned Tyrone. The science fiction-comedy-myster-thriller stars John Boyega, Teyonah Parris, and Jamie Foxx (who also served as producer) as this unlikely trio attempts to uncover a government cloning operation. The film first premiered at the American Black Film Festival before a successful Netflix release. Ever since, the film has wowed audiences and critics alike with its poignant socio-political commentary and ability to break out beyond typical genre boxes. 

Longtime writing partners, Taylor and Rettenmaier met during their time at the University of Southern California’s graduate School of Cinematic Arts before co-writing the feature screenplays for Creed II and Space Jam: A New Legacy.  

AFF moderator Alex Mitchell sat down with the writer-director due to talk process and collaboration.

They Cloned Tyrone clips courtesy of Netflix.  

This week on On Story, a conversation with science-fiction extraordinaire Ronald D. Moore on his process creating and showrunning the Battlestar Galactica series.

The 2004 Syfy episodic is a fresh take on the 1979 series created by Glen A. Larson. Set in a distant star system, a civilization of humans live among a group of planets known as the Twelve Colonies of Kobol. Together, they must navigate attacks from their enemies, the Cylons, whose primary goal is to eliminate the human race. Through four critically-acclaimed seasons, Moore crafted the series for a modern audience all while paying homage to the original source material. 

Moore's early writing career started in the writers room of Star Trek: The Next Generation, during which he co-wrote twenty-seven episodes. In 1994, Moore joined the writing staff of Star Trek: Deep Space Nine as a supervising producer, and was elevated to co-executive producer the following year. Now, through an overall deal with Sony, Moore's production company Tall Ship Productions produces the lauded series Outlander and For All Mankind.

I sat down with Ronald D. Moore, a recipient of Austin Film Festival's Outstanding Television Writing Award, to discuss his journey reimagining Battlestar Galactica.

Battlestar Galactica clips courtesy of Universal City Studios, Inc.

This week on On Story, AFF Senior Film Programer Andy Wolk sits down with writer-producer Clint Bentley and producer Monique Walton to deep-dive into the making of Sing Sing. Based on the real-life Rehabilitation through the Arts program at New York’s Sing Sing Maximum security prison, the powerful film follows a group of incarcerated men who find purpose and creativity through their prison theater troupe. The feature earned wide-spread critical acclaim, not only for the feature’s moving portrayal of change and exploration of human expression, but also for the cast’s inclusion of real-life formerly incarcerated men who were alumni of the program. The formerly incarcerated men perform alongside starring actor Colmon Domingo. 

Clint Bentley co-wrote Sing Sing with the film’s director, Greg Kwedar. Bentley is known for his previous feature screenplays, Transpecos and Jockey which was acquired by Sony Pictures Classics. Monique Walton is a leading indie producer and a recipient of a Film Independent Spirit Awards Producers Award. Prior, Walton produced Annie Silverstein’s award-winning debut feature Bull which premiered at the 2019 Cannes Film Festival. 

Bentley and Walton discuss their process of crafting and capturing a story based on authentic life experiences and having faith the project will come together. 

Sing Sing Clips courtesy of A24.

This week on On Story, a conversation with legendary producer, Katheleen Kennedy on her impressive producing career.  Kennedy has produced or executive-produced more than 70 feature films, which have collectively garnered 120 Academy Award nominations and 25 wins. Among her credits include blockbusters and classics such as Jurassic Park, E.T. The Extra Terrestrial, The Sixth Sense, the Back to the Future trilogy, Who Framed Roger Rabbit, The Goonies, Poltergeist, Empire of the Sun,  Schindler’s List, and The Color Purple….just to name a few! Not to mention, Kennedy has collaborated with some of Hollywood’s most infamous directors including Steven Spielberg, David Fincher, Martin Scorsese, and Clint Eastwood.  Today, Kennedy is the president of Lucasfilm where she produced Star Wars: The Force Awakens (2015), the highest grossing domestic feature of all time. 

I sat down with Kennedy, AFF’s 2024 Recipient of the Polly Platt Award for Producing, to discuss her vast career trajectory. Kennedy reflects on her journey from a green, yet visionary, producer to one of the most successful and respected producers in the film industry today. Kennedy outlines how she continues to find inspiration for each of her projects even after decades of experience. 

Listen closely, it’s time to learn from one of the best. 

E.T. The Extra Terrestrial clips courtesy of Universal pictures

Empire of the Sun clips courtesy of Warner Brothers

The Acolyte courtesy of Disney

This week on On Story, AFF moderator Casey Baron speaks with leading TV writers Damon Lindelof and Dan Erickson on the art of world building.

Damon Lindelof is a three-time Emmy Award-winning writer and producer, best known for creating and showrunning hit supernatural and science-fiction dramas such as ABC's Lost, the HBO series The Leftovers and Watchmen, as well as Peacock's limited series Mrs. Davis. Prior to showrunning, Lindelof wrote on the crime dramas Nash Bridges and Crossing Jordan. One of television's most prolific and pre-eminent writers, Lindelof has created some of TV's most captivating worlds, such as the disturbing island backdrop of Lost, or the world with two percent of the population missing, The Leftovers. A true television mastermind, AFF was honored to give Damon its renowned Outstanding Television Writer Award, created to recognize unparalleled achievements from television creators.

Lindelof was joined in conversation by Dan Erickson, the showrunner and producer of Severance, the science-fiction and psychological thriller series directed by Ben Stiller and starring Adam Scott. Severance premiered on Apple TV in 2022 and has since captivated audiences through the world of the biotechnology corporation, Lumon Industries, with its extreme employee policies.

Lindelof and Erickson discuss their process of building a series world from the ground up.

Severance clips courtesy of Apple TV.

This week on On Story, a conversation with lauded TV writer, Noah Hawley, whose expansive writing career includes creating and showrunning the FX series Fargo and Legion.

Fargo, the award-winning anthology series, is Hawley's adaptation of the 1996 film of the same name. Each season of the comedy-crime series follows murder investigations in various midwestern towns. Since the series debuted in 2014, the star-stacked cast has included Jon Hamm, Chris Rock, Jessie Buckley, Ben Wisham, Mary Elizabeth Winstead, Ewan McGregor, Patrick Wilson, Jean Smart, and Kirsten Dunst, to name just a few. The series, now with five seasons released, has earned six Emmy awards and an impressive fifty-five nominations. Both the acclaimed series Fargo and Legion are produced under Noah Hawley's 26 Keys Production banner.

Hawley sat down with AFF moderator and TV producer Barry Josephson for a conversation focused on Fargo. Hawley discusses his approach to finding the essence of the film when adapting it for the small screen.

Fargo clips courtesy of FX.

Legion clips courtesy of FX.

Bones clips courtesy of Fox.

This week on On Story, AFF moderator Harrison Glaser speaks with Watchmen showrunner Damon Lindelof and writer Cord Jefferson about the collaborative process of adapting the beloved comic book and writing the series' Emmy Award-winning episode. Watchmen, a critically and commercially celebrated limited series, tells the story of racially motivated violence and vigilantism in the world of Alan Moore’s graphic novel by the same name.

Damon Lindelof is a WGA, PGA, and Emmy award-winning writer who has created some of television’s most iconic shows, including Lost and The Leftovers. A master of smart, character-driven science fiction, Lindelof shares his perspective on breaking story and building mythology.

Cord Jefferson began his writing career as a journalist. Since transitioning to television, he has worked on some of the medium’s most formative shows in recent years: Master of None, The Good Place, Succession, and Watchmen. His debut feature, American Fiction, won the Audience Award at the 30th annual Austin Film Festival. Cord discusses bringing his own perspective to well-known material and honing in on character motivation.

Watchmen clips courtesy of Warner Bros. Entertainment Inc.

This week on On Story, a conversation with the up and coming visionary, So Young Shelly Yo. 

Shelly is an award-winning filmmaker whose work has been supported by HBO, CAAM, SFFILM, the Sloan Foundation and others. Shelly's feature film, SMOKING TIGERS, was the winner of Tribeca x AT&T’s Untold Stories and was awarded best screenplay, best performance and a special mention for the Nora Ephron prize at the 2023 Tribeca Film Festival. Prior to SMOKING TIGERS, Shelly wrote and directed many short films including SOFT SOUNDS OF PEELING FRUIT and MOONWALK WITH ME. She is currently in development for her next project.

Shelly will discuss transitioning from writing and directing short films to her debut feature, the visually stunning and emotionally rich multi-language film Smoking Tigers.

Clips of Smoking Tigers courtesy of Max.

This week on On Story, we explore finding the source material for a period piece, making decisions about historical accuracy versus creative liberties, and successfully marrying a modern audience with a bygone era.

AFF moderator Fabienne Harford speaks with Alison Eakle, Chief Content Officer at Shondaland and executive producer on Bridgerton, and Evan Romanksy, co-creator of Ratched about what it takes to research and create period pieces that maintain integrity and entertainment.

Alison Eakle oversees all Netflix streaming content for Shondaland. She joined Shondaland in 2013, helping develop the ABC dramas “How to Get Away with Murder,” “Station 19,” “For the People,” and “The Catch.” Prior to her time at Shondaland, Eakle was at Ellen DeGeneres’ production company, A Very Good Production. She began her career in features, working in development and production at Paramount Vantage and Columbia Pictures, as well as in marketing at Paramount Pictures. In 2016, Eakle was named one of Marie Claire’s New Guard: America’s 50 Most Influential Women, and in 2019 she was named an Ojai Fellow as part of CAA’s Convene. She is a graduate of Georgetown University and The University of Texas at Austin.

She’s joined by Evan Romanksy the co-creator and executive producer of Netflix's Emmy and Golden-Globe nominated series RATCHED. A graduate of Ohio University and Loyola Marymount University, Evan has sold both film and TV projects to Amazon and MakeReady Studios and is currently developing with Jason Bateman's Aggregate Films as well as Margot Robbie's LuckyChap Entertainment.

Both Evan and Allison have learned to successfully marry a modern audience with a bygone era.  

Ratched, Queen Charlotte, and Bridgerton clips courtesy of Netflix.

This week on On Story, we’re joined by the film industry experts who connect Texas filmmakers with funding and resources including President of the Texas Association of Film Commissions, Drew Mayer-Oakes, Director of the Texas Film Commission, Stephanie Whallon, Director of the San Antonio Film Commission, Kimberly LeBlanc, and Director of the Houston Film Commission, Alfred Cervantes. The discussion of their professional histories and organizational goals shines a light on the many different ways these structured bodies provide support for Texas creators while simultaneously invigorating local economies. 

This week on On Story, a conversation with Lee Eisenberg about the launch of his comedy writing career. Eisenberg and his writing partner Gene Stupnitsky broke into the industry with their adventure-comedy screenplay, Year One, an irreverent retelling of the Book of Genesis in which they collaborated with the iconic comedian and filmmaker, Harold Ramis, who went onto direct the film for the Apatow Company.

In tandem writing with Year One, Lee and Gene were staffed on season two of the notorious comedy television hit, The Office, where they wrote for five hilarious seasons. Masters of craft and discomfort comedy, stories that bring audiences right to the edge of unbearable cringe before easing them with a laugh, Lee and Gene wrote many celebrated teleplays for The Office, including Dinner Party, The Lover, and audience favorite Scott's Tots, in which Michael Scott realizes he cannot fulfill his long-time promise to pay the college tuition of local students. 

Eisenberg discusses his process of co-writing these scripts and the importance of leaving pathos and humanity into the most cringey comedic protagonists. Eisenberg also expands on his and Gene's process creating the out-of-the-box reality hoax sitcom, Jury Duty, in which Ronald Gladden, appearing as himself, was unaware that the entire case and jury proceeding had been staged. The one-of-a-kind comedy series was nominated for both Emmy and Golden Globe Awards. 

Lastly, Eisenberg elaborates on his latest project: developing the historical drama miniseries Lessons in Chemistry, based on the bestselling book of the same name. Eisenberg reveals how the artistry of the novel not only sparked his genre switch, but inspired him to subtly impart aspects of his lived experience into the Apple TV series.

The Office clips courtesy of NBC.

Jury Duty clips courtesy of Amazon Freevee.

Good Boys clips courtesy of Universal Pictures.

Lessons in Chemistry clips courtesy of Apple TV.

This week on On Story, Austin Film Festival moderator Harrison Glaser speaks with Karyn Kusama about her filmography, the evolution of her storytelling, and her focus on strong female protagonists.

In her debut feature, Girlfight, Kusama drew from her own experiences training in a boxing gym and living in New York City, building Michelle Rodriguez’s character from young women she encountered on the subway. Kusama discusses connecting to their guarded nature and writing a protagonist that her audiences could root for. 

After the release of Girlfight, Kusama received critical praise and went onto direct her first studio film, Aeon Flux, co-written by Matt Manfredi and Phil Hay. Hay would become her husband and life partner, and her creative partnership with both Hay and Manfredi would lead to The Invitation and Destroyer. 

Kusama also discusses her experiences in episodic storytelling. Her television credits include Halt and Catch Fire, Billions, and the genre-bending hit, Yellowjackets. She delves into the ways that directing television keeps her craft sharp, and discusses how she and Yellowjackets co-creators Ashley Lyle and Bart Nickerson infuse cinematic sequences into shorter film storytelling.

Throughout her illustrious career, Kusama has perhaps been best-known for the cult classic Jennifer’s Body, the black comedy horror film written by Diablo Cody and starring a young Megan Fox and Amanda Seyfried. In conversation at the Austin Film Festival, Kusama recounts her connection with Cody’s voice and their creative exploration of female friendship as the emotional core of that story.

Girlfight clips courtesy of United Artists.

Jennifer’s Body clips courtesy of 20th Century Studios.

The Invitation clips courtesy of The Invitation, LLC.

Yellowjackets clips courtesy of Showtime.

This week on On Story, a conversation with Jeff Nichols, the acclaimed filmmaker behind Mud and Loving, to discuss his most recent film The Bikeriders, a moving character drama based on journalist Danny Lyons’ photobook by the same name. The Bikeriders chronicles the rise and fall of a Chicago motorcycle gang in the 1960s through the lens of bikerider wife Kathy, an open book played by Jodie Comer. Led by the strong and silent Johnny, embodied by Tom Hardy, the club devolves from a surrogate home for outsiders with no place to go to a violent crime organization. Its members, especially Austin Butler’s strong-willed, reckless Benny, are forced to grapple with their club’s decaying principles, their role in the organization, and by extension, their place in a changing world. The film captures distinct nostalgia from a bygone era, and summons enormous affection for its deeply flawed characters.

In conversation with the Austin Film Festival, Nichols recounts how he connected with the photobook’s images and anecdotes, and listened to voice recordings of the real-life vandals, to build a rich world and craft compelling characters.

The Bikeriders clips courtesy of Focus Features.

This week on On Story, a conversation with the team behind The Three Burials of Melquiades Estrada, a western that follows a ranch foreman's extraordinary trek to Mexico to bury his best friend's body in his hometown.

Actor and director Tommy Lee Jones worked with writer Guillermo Arriaga to develop a moving, character-driven story inspired by true events about the shared border between Texas and Mexico. Jones, alongside 1st Assistant Director Phil Hardage, Unit Production Manager Eric Austin Williams, Post-Production Supervisor Larry Madaras, and actor Julio Cedillo discuss their decision to tell the story in a non-linear fashion, their experience filming on location, and how they incorporated sound effects and scoring to build the film's world and define its characters.

The Three Burials of Melquiades Estrada clips courtesy of Sony Pictures Classics.

This week on On Story, we're having a conversation with Katrin Benedikt.

Co-writer of the non-stop political action thrillers Olympus Has Fallen, London Has Fallen, and Expendables 3, Benedikt lends a behind-the-scenes look into the realities of breaking into Hollywood as a writer, from pitching the same story for years on end, navigating relationships with co-writers, agents, and producers, to completing last-minute rewrites on set. A true lover of action movies, Benedikt discusses crafting characters for star-studded casts and working with genre experts Antoine Fuqua and Sylvester Stallone.

Olympus Has Fallen clips courtesy of Film District.

London Has Fallen clips courtesy of Millennium Media.

Expendables 3 clips courtesy of Lionsgate Media.

This week on On Story, a conversation with Brian Helgeland, the Academy Award-winning screenwriter who penned acclaimed movies including L.A. Confidential and Mystic River, and the director who brought to life beloved films such as A Knight’s Tale and 42. He lends a behind the scenes look at the making of Finestkind, a film mined from his relationship with his father and their experiences as deep sea fishermen.

The film, set in Helgeland’s own hometown of New Bedford, Massachusetts, tells the story of two estranged brothers’ navigating a splintered relationship in the high-stakes world of commercial fishing and drug dealing. Helgeland discusses grounding the story in setting, crafting character backgrounds with Tommy Lee Jones (who plays the boys’ father) and imbuing the film with his personal touch. Finestkind is now streaming on Paramount Plus. 

Finestkind clips courtesy of Paramount Plus.

This week on On Story, AFF moderator Harrison Glaser speaks with Celine Song about her feature debut, Past Lives. Inspired by Song’s own experiences, Past Lives tells the story of two childhood friends who reunite as adults and reckon with the nature of the enduring bond between them. This multi-language film is a deeply personal exploration of the modern immigrant experience, unflinchingly confronting the “what-ifs” that plague lost love and paths not taken. 

Celine Song began her writing career as a playwright in New York City, and joined fantasy series The Wheel of Time as a staff writer before her feature debut. The bittersweet romance premiered to critical acclaim and soared to Oscar nominations for Best Original Screenplay and Best Picture. 

In conversation at the 30th annual Austin Film Festival, Song discusses creating complex identities for her characters, writing dialogue that feels true to life, and transitioning from playwright to filmmaker.

Past Lives clips courtesy of A24.

This week on On Story, a conversation with Cord Jefferson on adapting the novel Erasure into his strikingly sharp debut feature American Fiction.

Cord Jefferson is an Emmy-winning writer who earned his chops on some of television’s most formative shows in recent years: Master of None, The Good Place, Succession, and Watchmen. His debut feature, American Fiction, won the Audience Award at the 30th annual Austin Film Festival.  

American Fiction is an adaptation of Percival Everett’s novel Erasure. The film introduces us to Thelonius Monk, played by Jeffrey Wright, a weary writer frustrated by the publishing industry’s obsession with reducing artists of color into stereotypes. In an effort to show the industry its own foolishness, Monk offers up a pandering manuscript that, much to his chagrin, becomes wildly successful.

Cord discusses bringing his own perspective and sense of humor to the source material, and marrying comedy and drama in one film.

Clips of American Fiction courtesy of Amazon/MGM Studios.

This week on On Story, a conversation with Joanna Calo, showrunner of the character-driven dramedy The Bear.

Joanna delves into her experience sharing showrunning duties with creator Christopher Storer, and discusses their approach to incorporating real life events into the show’s deeply grounded characters and high stakes world. 

As a television veteran, Joanna’s writing credits include Bojack Horseman, Hacks, Beef, and today’s subject, The Bear. The Bear tells the story of Carmy Berzatto, played by Jeremy Allen White, an award-winning chef who returns home to Chicago in the wake of his estranged brother’s suicide to find that he has inherited the family sandwich shop. Audiences fell in love with The Bear’s fast-paced dialogue, anxiety-inducing stakes, and deeply human characters in the show’s first season. In season 2, the show’s stakes raised even higher as Carmy attempted to open his own fine dining restaurant in Chicago. In today’s On Story conversation, Joanna share her insights surrounding the infamous mid-season episode Fishes featuring guest star Jamie Lee Curtis, as well as the well-crafted characters of Richie, played by Ebon Moss-Bachrach, and Marcus, played by Lionel Boyce.

This week on the On Story Podcast a conversation with James V. Hart, writer of the science fiction drama Contact directed by Robert Zemeckis.

In his decades-long career, Hart has written beloved films including Hook, Bram Stoker’s Dracula, Tuck Everlasting, and August Rush. Hart discusses the process of adapting Contact from Carl Sagan’s novel about a scientist who discovers definitive proof of extraterrestrial life. From working with the author to discern his original intent and establishing a thematic purpose, to embedding a story with high stakes and finding the story’s emotional core, Hart lends us a close look at the intricacies of structuring a screenplay.

Clips of Contact courtesy of Warner Bros.

This week on On Story, a conversation with writer-director Shane Black about the making of Iron Man 3.

Shane Black, the original creator of the Lethal Weapon franchise, is well-known for his irreverent comedic style and witty dialogue, as well as turning established genre tropes on their head. Black does just that in Iron Man 3, a superhero film that sets aside hero's bravado to dissect the man inside the suit.

Barbara Morgan sat down with Black to discuss finding larger-than-life characters' interiority, navigating fan expectations, and working within the Marvel Cinematic Universe.

Clips of Iron Man 3 courtesy of Marvel Studios.

This week on On Story, a conversation with the creative team behind Lawmen: Bass Reeves, a show based on the incredible real life of Bass Reeves, a man who was born into slavery and later became a Deputy U.S. Marshal. He was the first black man west of the Mississippi River to hold that title, and according to creator and showrunner of the series Chad Feehan, he was “arguably the greatest lawman in the history of this country.”

Taylor Sheridan is responsible for making it all happen, and this limited series is the latest installment in his television universe.

Creator Chad Feehan has written on shows known for their gritty realism, like Southland and Ray Donovan. A meeting with David Oyelowo made him obsessed with Bass Reeves. Enough to create this series. Oyelowo plays the title role. He had been trying to get a show made about Reeves for years.

Christina Voros is very familiar with the Taylor Sheridan universe. She directed and co-executive produced for megahits Yellowstone and 1883. She is the executive producer of the Bass Reeves series, and she directed the pilot beautifully.

Damian Marcano, director on the intense, fast-paced Winning Time: The Rise of the Lakers Dynasty and the neo-noir television series, American Gigolo, directed several episodes of Lawmen: Bass Reeves.

Barbara Morgan talked with Chad, Christina, and Damian about how they took on the material and some of the challenges that come from making historical fiction.

Lawmen: Bass Reeves Clips Courtesy of Paramount Plus.

This week on On Story, a conversation with two of the writers on Justified: City Primeval.

VJ Boyd is a writer and producer. He did both on hits like Justified and S.W.A.T. He co-created and co-showran the crime drama Lincoln Rhyme: Hunt for the Bone Collector, and he’s currently showrunning The Madness, expected to release next year. 

Chris Provenzano was a writer on the first season of Mad Men. Since then, he’s written on an incredibly diverse number of hits, from Archer to Justified to Silicon Valley. 

Barbara Morgan spoke with the two at the Austin Film Festival.

Justified clips courtesy of FX Networks.

This week on On Story, writer Edward Neumeier discusses his creative process behind the sci-fi cult classics RoboCop and Starship Troopers. Neumeier explores the particulars of writing for the genre, as well as his knack for disguising deep issues within expansive and captivating stories. 

Clips of RoboCop courtesy of Orion Pictures.

Clips of Starship Troopers courtesy of TriStar Pictures.

This week on On Story, we're joined by Lang Fisher for a conversation on her process of co-creating, writing, and showrunning Netflix’s hit series, Never Have I Ever. Fisher has a long history of writing and producing funny yet intelligent television, and Never Have I Ever is no exception. This fresh, coming-of-age series follows Indian-American teen, Davy Vishwakumar, who after a difficult year, is determined to heighten her social status at Sherman Oaks High Schools. Both co-created with and inspired by Mindy Kaling’s own childhood, the show's current three seasons are a remarkable masterclass on witty dialogue, a leader in diverse representation on screen, and adept at presenting relatable themes for teens and adults alike. The show's highly anticipated fourth and final season is scheduled to be released by Netflix on June 8th, 2023.

Prior to her work on Never Have I Ever, Fisher was a writer-producer for many comedy series, including Brooklyn Nine-Nine, The Mindy Project, and the final season of 30 Rock, where she co-wrote the episode “A Goon’s Deed in a Weary World,” which was named one of Variety’s “25 Best TV Episodes of the Decade.”  Before venturing into television writing, Fisher used her humor to write for six years at the satirical news outlet, The Onion. 

AFF moderator Casey Baron sat down with Lang Fisher to dive deeper into the process of writing and creating Never Have I Ever and to give our audience a craft conversation. Never have you ever learned so much on the art of comedy writing!

Clips of Never Have I Ever courtesy of Netflix.

This week on On Story, we're joined by writing partners Noah Harpster and Micah Fitzerman-Blue, known for their collaboration on projects such as the award-winning film based on the life of Mr. Rogers, A Beautiful Day in the Neighborhood, their work writing and producing the Amazon series, Transparent, and co-creating and co-showrunning their upcoming Netflix series, Painkiller.

Known for their talents writing stories based on true events, Painkiller is no different, as it's an honest exploration of the birth of the opioid crisis in the United States, starring Matthew Broderick and Uzo Abuda. Together, Harpster and Fitzerman-Blue have won the Peabody Award, the PEN award, and the Humanitas Prize for their collaborative work as screenwriters, in addition to receiving Emmy, Golden Globe, People’s Choice Awards, and WGA writing nominations. 

AFF moderator Harrison Glaser sat down with both writers during the 2022 Writers Conference to discuss what makes a successful writing partnership, the process of crafting stories based on real events, and how to build a career that includes writing across genres, and within both television and film.

You know what they say - two heads are better than one, and the truth is stranger than fiction. Harpster and Fitzerman-Blue embody these timeless statements.

Clips courtesy of Columbia Pictures Industries, Inc. and Amazon Studios.

This week on On Story, we're joined by the comedic genius Stephen Merchant for a conversation on his impressive career in television. Perhaps best known for co-creating (with Ricky Gervais) BBC's The Office, Merchant's work writing and directing the critically acclaimed show attributed to the series earning multiple comedy awards, including three BAFTA awards, two British Comedy awards, two Golden Globe awards, a Primetime Emmy, and a Peabody Award, all before Merchant served as the executive producer on the immensely successful adaptation. The US series was a long-running hit, receiving five Primetime Emmy awards and forty-two nominations of its own during its run on NBC.

Other pillars in Merchant's career include starring, co-creating, co-writing and directing the HBO series Hello Ladies, a sitcom based on Merchant's stand-up show of the same name. Currently, Merchant serves as the co-creator, executive producer, writer, director and star of his newest series, The Outlaws. Co-created with Elgin James, the crime thriller and comedic television show follows seven very different strangers who are sentenced to community service as payback for their various crimes. Yet things certainly take a turn when the group discovers a bag full of money, unaware of its dangerous owners, in this hit co-production from BBC One and Amazon Studios.

A pivotal creative in the world of comedy, AFF was delighted to honor Merchant as the recipient of AFF’s Outstanding Television Writer Award, a distinction awarded annually to recognize excellence in the television industry. Merchant certainly demonstrates excellence, not only from his impressive collection of awards and accolades, but also through his various titles, roles, and hats, including actor, stand-up comedian, writer, director, and producer, thereby cementing his reputation as one of the most versatile talents in TV and film. 

Barbara Morgan sat down with Merchant during the 2022 Austin Film Festival for an in-depth conversation on both his creative process and career, eager to hear more on Merchant’s practice of crafting relatable characters, how he found comedic inspiration from drama, and most of all, how he established himself as one of television’s leading comedic voices.

So sit back and have a laugh as we talk all things comedy with Stephen Merchant.

Clips of The Outlaws courtesy of Amazon Studios.

Clips of Hello Ladies courtesy of Home Box Office, Inc.

Clips of The Office courtesy of British Broadcasting Corporation.

This week on On Story, a conversation with acclaimed writer, director, and producer James Gray to discuss not only his artistic process, but how he established himself as one the industry’s most talented writer-directors. 

A true visionary, Gray made his directorial debut with his celebrated film Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other esteemed features in Gray’s canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray’s, and We Own the Night, starring Mark Wahlberg, in addition to his films, Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which set the bar for both screenwriting and direction. 

Gray’s most recent feature, Armageddon Time, is a deeply personal film inspired by Gray’s childhood. A reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens, the film’s star-studded cast includes leading actors Anthony Hopkins, Anne Hathaway, and Jeremy Strong. 

In addition to speaking with Gray on his process of writing and directing each of his seven critically-acclaimed feature films, AFF was eager to honor Gray with our coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television and new media. Gray adds this accolade to his five Palme d’Or nominations, as well as the Silver Lion Award. 

During our annual Writers Conference, Barbara Morgan sat down with Gray to discuss how he became a pillar of American filmmaking. 

Ad Astra clips courtesy of Twentieth Century Fox Film Corporation.

Little Odessa clips courtesy of Fine Line Features.

Lost City of Z clips courtesy of Sierra Afinity, LLC.

We Own the Night clips courtesy of Columbia Pictures.

This week on On Story we're joined by director Ric Roman Waugh for a post-screening deep dive into his newest action thriller, Kandahar.

Formerly an actor and stuntman who appeared in countless films, including Universal Soldier, The Last of the Mohicans, and Lethal Weapon 2, Waugh is certainly no stranger to action. Now known for his work as a writer, producer, and director, Waugh utilizes his background in stunt work to create many of today's leading thrillers, such as Felon, Snitch, Shot Caller, and Angel Has Fallen, serving on all as writer and director. Recently in 2020, Waugh directed Greenland, a disaster thriller starring Waugh's frequent collaborator, Gerard Butler, which follows the story of John Garrity, who must save the United States from imminent destruction by a comet.

Waugh's newest action thriller, Kandahar, was written by former U.S. Military Intelligence Officer Mitchell La Fortune, and follows the journey of undercover CIA operative Tom Harris, who along with his translator must flee hostile territory in Afghanistan after their covert mission is exposed. Both starring and produced by Gerard Butler, the film is based on LaFortune's own experience serving in Afghanistan during the 2013 Snowden leaks. Never short on suspense or excitement, Kandahar is a high-stakes race against time, set against the complex political background of the War on Terror.

So sit back - or, well more likely on the edge of your seat - as Barbara Morgan sits down with director Ric Roman Waugh to talk all things Kandahar.

Clips of Kandahar courtesy of Open Road Films.

This week on On Story, AFF Moderator Harrison Glaser sits down with television writing legend Alec Berg for an in-depth conversation on his triumphant comedy writing career.

Nothing short of a comedic genius, Berg's writing credits include some of television's most hilarious series, including his work writing, directing, and producing Larry David's Curb Your Enthusiasm, Mike Judge's Silicon Valley, and most recently, HBO's Barry, which he co-created with SNL legend Bill Hader.

Barry, which was recently renewed for a fourth season, is an Emmy-nominated dark comedy hit that follows down-and-out hitman Barry Berkman, played by Bill Hader. Barry's assignments bring him to Los Angeles, where he finds himself joining a local acting class for wannabe talent taught by Gene Cousineau, played by none other than Henry Winkler. Through this class and a budding relationship with aspiring actress Sally Reed, this not-so-cold-blooded killer finds himself amidst an existential crisis, asking as we all often do, what is it he really wants out of life?

Only Berg, a master of situational comedy, would think to put a hitman in a beginner's acting class and to make it lighthearted and funny, but as many of our listeners know, there's nothing lighthearted or easy about breaking into the world of comedy. Berg breaks down for our AFF audience his journey, which started by gaining inspiration from the tapes of prior comedy legends like Steve Martin, to his early work writing for Seinfeld, to expanding his credit from writer to writer-director, to ultimately making a career and name for himself as one of television's leading comedy creators and showrunners.

So get ready for a lesson in laughter from comedy legend Alec Berg.

Clips of Barry and Silicon Valley courtesy of Home Box Office, Inc.

Clips of Seinfeld courtesy of NBC.

This week on On Story, AFF Moderator Andy Volk sat down with writer-director Elegance Bratton and actor Raúl Castillo for a post-screening Q&A of their latest feature film, The Inspection.

Released last November by A24, The Inspection is an absolutely heart-wrenching drama inspired by Bratton's own experience. The film follows Ellis French, a young, gay black man played by Tony-nominated actor Jeremy Pope who is rejected by his mother and family. With very few options for his future, Ellis joins the Marines, doing whatever it takes to succeed in a system that has cast him aside. This deeply moving film is a sharp look at how one can find strength, support, and a sense of belonging in the most unexpected places.

Just as inspiring as the film is Elegance Bratton's own artistic trajectory, which exemplifies perseverance and determination in creation. Bratton began making films while serving as a US Marine after spending a decade homeless. Now an acclaimed, boundary-breaking director, writer, and producer, Bratton's films have played at over two hundred film festivals worldwide, including Sundance, Outfest, BFI, New York City, Black Star Film Festival, and of course, at the Austin Film Festival. Beyond Bratton's festival success, he made his television debut as the creator and executive producer of the Viceland series, My House, which was nominated in 2019 for the GLAAD Media Award's Outstanding Documentary category. Additionally, his 2019 documentary, Pier Kids, made its streaming debut in August of 2021. Also in 2021, Bratton received the Film Independent Truer than Fiction Spirit Award presented to emerging directors of non-fiction features. And let's not forget that Bratton holds degrees from both Columbia University and the NYU Tisch Graduate School of Film. Yet summing up Elegance by merely his degrees, accolades, and awards does not provide the full picture. A master of harvesting film narratives and the overlooked stories right in front of us, Elegance uses his vision to highlight the universal power of our shared humanity.

Joining Bratton is actor, playwright, and Texas's own Raúl Castillo. Castillo stars in the film as Rosales, a drill instructor who takes French under his wing. Castillo's artful performance is a nuanced depiction of masculinity and vulnerability, subverting traditional narratives through the duality of Rosales's stern yet nurturing mentorship, a complexity Castillo was eager to explore. Known for his starring roles in Amexicano, Cold Weather, We Are the Animals, as well as his role as Richie Donado Ventura in the HBO series, Looking, Castillo is known for his truthful embodiments of complex masculinity. Originally a playwright, Castillo has brought authentic Latinx stories to off-Broadway stages through his plays Border Stories, a trio of one-acts about life at the US-Mexico border, Knives and Other Sharp Objects, which premiered at the Public Theater in New York City, and his dark comedic family drama, Between You, Me, and the Lampshade, developed with the Atlantic Theater Company.

We were thrilled to have both Elegance and Raúl, two exceptional storytellers, at the Austin Film Festival to speak to their creative process behind the film. So, do I have your attention yet? Are you standing at attention? Good. Let's dive deeper into The Inspection.

Clips of The Inspection courtesy of A24.

This week on On Story, AFF Moderator and Senior Programmer, Andy Volk, sat down with writer, director, and producer James Gray for a post-screening Q&A of his coming-of-age drama, Armageddon Time. A deeply personal film inspired by Gray's childhood, Armageddon Time is a reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens. Through the brilliant performances of its all-star cast, which includes leading actors such as Anthony Hopkins, Anne Hathaway and Jeremy Strong, Armageddon Time is a beautiful, detailed, and intimate portrait of how privilege, inequality, and prejudice are integral to the American experience.

AFF was ecstatic to welcome the preeminent writer-director James Gray, not only to speak more about the film but also to honor him as the 2022 recipient of AFF's coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television, and new media. A true visionary, Gray made his directorial debut with his acclaimed film, Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other acclaimed features in Gray's canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray's, and We Own the Night, starring Mark Wahlberg, in addition to his films Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which are critically acclaimed and set the bar for both screenwriting and direction.

So join us and the legendary director James Gray for a little trip back to the 1980s and a closer look at Armageddon Time.

Clips of Armageddon Time courtesy of AT Picture Ventures LLC.

This week on On Story, it's all about Women Talking, and I'm not just referencing our powerhouse guests, Academy Award-winning producer Dede Gardner and Oscar-nominated writer-director Sarah Polley, but also their newest film collaboration and adaptation, Women Talking.

Women Talking is a drama feature based on Miriam Toews' critically acclaimed novel of the same name. Inspired by true events from a sequestered community in Bolivia, the film follows a group of women in an isolated religious colony as they struggle to reconcile their faith amidst a series of assaults committed by the colony's men. This raw and vulnerable look at domestic violence is ultimately a story of women's resilience, and it's beautifully portrayed by leading actors Rooney Mara, Claire Foy, Jessica Buckley, Judith Ivey and Frances McDormand.

Austin Film Festival was thrilled to include this powerful film in our 2022 film slate. But a little more on the women talking in this post-screening Q&A.

AFF was honored to award Dede Gardner with the 2022 Polly Platt Award for Producing, an Austin Film Festival award intended to recognize producers with a keen sense of story who have demonstrated a commitment to fostering new talent. Throughout her career, Gardner has produced many Academy Award and Golden Globe-winning films, including pioneering work such as Minari, If Beale Street Could Talk, Moonlight, The Big Short, Vice, Selma, 12 Years a Slave, And Terrence Malick's Palme d'Or winner, The Tree of Life. Her recent television releases include HBO's limited series, The Third Day, as well as the Amazon series, The Underground Railroad, and Outer Range.

Joining Gardner is Women Talking's writer-director, Sarah Polley. Formerly an actress known for her leading role in the television series, Ramona, Polley made her directorial debut with her film, Away from Her, which was Oscar-nominated for Best Adapted Screenplay. Polley also received the Writer's Guild of America Award for Best Documentary Screenplay for her doc, Stories We Tell. Most recently, she executive-produced and wrote the Netflix limited series, Alias Grace, which she adapted from Margaret Atwood's novel. In short, Sarah Polley is a master at taking existing stories and filtering them through a lens of her own.

AFF moderator Marissa Padden spoke with Dede Gardner and Sarah Polley after their screening at this year's Austin Film Festival to give our audience an insider's look at the art of adaptation and to host an honest conversation about tackling stories with difficult subjects. Sh! The women are talking, it's time to listen.

Clips of Women Talking courtesy of United Artists Releasing.

Austin Film Festival was proud to recognize Nikyatu Jusu during our annual Awards Luncheon as the 2022 New Voice Award recipient, an award intended to spotlight unique and captivating new voices in film, television, and new media.

Nanny is a psychologically complex horror-thriller which follows Aisha, a recently-emigrated woman from Senegal who is hired to care for the daughter of an unbalanced white couple living in New York's Tribeca neighborhood. Through her work, Aisha begins to unravel, begging the question: When does the American Dream look more like a nightmare?

Barbara Morgan sat down with Nikyatu Jusu at a post-screening Q&A at the Austin Film Festival. 

Clips of Nanny courtesy of Amazon Studios.

This week on On Story we welcome writer Samuel D. Hunter, and director Darren Aronofsky for a deep-dive (no pun intended) into AFF’s 2022 Opening night film, The Whale.

Samuel D. Hunter, recipient of the MacArthur Genius Grant Fellowship, is known for his award-winning plays such as The Case for the Existence of God, A Bright New Boise, Greater Clements, and many more critically acclaimed titles. Darren Aronofsky is an Academy Award-nominated filmmaker known for his indie box office phenomenon, Black Swan, starring Natalie Portman. His previous directorial work includes the award-winning films The Wrestler, The Fountain, and Requiem for a Dream. 

Based on Samuel D. Hunter's acclaimed play with the same title, The Whale stars Brendan Fraser and follows the story of a reclusive English teacher living with severe obesity who attempts to reconnect with his estranged teenage daughter for one last chance at redemption. Andy Volk, Austin Film Festival's Senior Film Programmer, sat down with the creatives for a post-screening Q&A at the Austin Film Festival.

Clips of The Whale courtesy of A24.

This week on On Story we’re joined by David Self, the writer behind films like Road to Perdition and Thirteen Days. In this episode, Self dissects his career breaking into the industry to writing crime and historical dramas. 

David Self, having been born into an itinerant family of community college and high school teachers, he broke with family tradition and spent most of his waking hours trying to break into Hollywood. In 1994 he found success and was hired to pen the remake of the 1963 film The Haunting for Steven Spielberg. His credits also include Road to Perdition, Thirteen Days, and Wolfman. Crime and thriller film, Road to Perdition, is an adaptation of the DC Comics graphic novel series of the same name. Starring Tom Hanks, it follows the story of  a mob enforcer's son in 1930s Illinois who witnesses a murder, forcing him and his father to take to the road down a path of redemption and revenge. Thirteen Days is a tale of truths about how the Kennedy administration struggled to contain the Cuban Missile Crisis in 1962. The Haunting is a story about how a study of fear escalates into a heart-stopping nightmare for a professor and three subjects trapped in a mysterious mansion. 

Moderator Barbara Morgan sat down with David Self for a panel about his work at the Austin Film Festival.

Clips of Thirteen Days courtesy of Beacon Pictures.

Clips of Road to Perdition courtesy of DreamWorks Films & Twentieth Century Fox Film Corporation.

Clips of Wolfman courtesy of Universal City Studios

This week on On Story we’re joined by writer & showrunner Glen Mazzara as he discusses the ins and outs of the industry, and how his experiences developed him into a versatile writer. 

Glen Mazzara is a writer and producer whose work includes AMC’s The Walking Dead, The Shield, and Damien. Damien, a TV Drama based on the classic horror film, “The Omen”, follows the film’s protagonist, Damien as he copes with his life after finding out he is the prophesied Antichrist. The Shield, a Primetime Emmy Award-winning Drama series following the lives and cases of dirty cop Vic Mackey and the LAPD unit under his command. The Walking Dead, a post-apocalyptic drama made television history, winning 2 Primetime Emmys and becoming the only drama in television history to hold the #1 title for five consecutive years.  

Moderator Harrison Glaser sat down with Glen Mazzara for a panel about his work at the Austin Film Festival.

Clips of The Walking Dead courtesy of AMC Entertainment

Clips of The Shield and Damien courtesy of Twentieth Century Fox Film Corporation

This week on On Story, Miss Juneteenth writer/director Channing Godfrey Peoples discusses her feature directorial debut and her work as a multi-hyphenate independent filmmaker.

Peoples is the writer-director of the 2020 drama Miss Juneteenth, which follows a former beauty queen and single mom as she prepares her rebellious daughter for a life-changing pageant. Having grown up in Fort Worth, Texas, Peoples attended pageants where “Miss Juneteenth” is a real contest held there. A gripping story of poverty, the film has appeared on dozens of critics’ year-end top ten lists, including TIME, Washington Post, and IndieWire, among others.

Moderator Ya’Ke Smith sat down with Channing Godfrey Peoples for a panel about her work as a multi-hyphenate independent filmmaker at the Austin Film Festival.

Clips of Miss Juneteenth courtesy of Ley Line Entertainment.

This week on On Story writer Derek Kolstad, creator of the John Wick franchise reflects on his thrilling career, how he weaves emotion and humanity into action set pieces, as well as crafting characters you cannot help but root for.

Derek Kolstad is the writer/creator of the popular John Wick franchise with the latest installment: John Wick: Chapter 4 set to be released in 2023. He also wrote on Marvel’s hit limited series The Falcon and Winter Soldier, which has been nominated for 5 Primetime Emmys. 2021 also saw the release of Derek’s action-thriller Nobody. Nobody sheds light on a docile family man struggling with aging and encroaching feelings of irrelevance as his children grow up. His new tv adaptation of the popular video game, Splinter Cell, is currently in production and will be airing on Netflix in the following year.  Most recently, Kolstad produced the film The Princess for Hulu, which follows the action-packed story of a strong-willed princess who refuses an arranged marriage alliance to an especially cruel sociopath.

Barbara Morgan sat down with Derek Kolstad for a panel about his work at the Austin Film Festival.

Clips of John Wick courtesy of Thunder Road Pictures

Clips of Nobody courtesy of Universal City Studios

Hey podcast listeners, this week on On Story we’re foraging for insight into Pig with writer and director Michael Sarnoski.

Michael Sarnoski is a writer, director, and a producer best known for writing 2020’s Pig. The film, starring Nicholas Cage, tells the story of a man searching for his pig, while dealing with the effects of prolonged grief. As director, Sarnoski revealed that he only had around twenty days to make the movie and there was no budget for re-shoots or delays. He is currently slated to direct the upcoming A Quiet Place: Day One, the anticipated prequel in the A Quiet Place series. 

We sat down with Michael Sarnoski for a panel about the film at the Austin Film Festival.

This week on On Story we’re talking to Hustle & Flow producer, Stephanie Allain for a conversation on producing.

Stephanie Allain is a producer, known for her work in both film and television. Her work includes Hustle and Flow, Beyond the Lights, and Dear White People, a political commentary turned dramedy. 

Hustle & Flow follows a street hustler’s attempt to make it in the hip-hop industry, featuring several BET award-winning performances and appearances by rappers like Ludacris and Juicy J. 

Beyond the Lights tells the story of a mentally-unstable woman who has been shoved toward stardom by her domineering mother and finds her trajectory changed when a young cop stops her from taking her own life. 

Dear White People follows the stories of a group of black students trying to navigate life at a predominantly white, elite university.

In 2021 Allain attended the Austin Film Festival, where she received the Polly Platt Award for Producing.

Moderator Casey Baron sat down with Stephanie Allain for a panel about her work at the Austin Film Festival.

Clips of Hustle & Flow courtesy of Crunk Pictures LLC.

Clips of Beyond the Lights courtesy of Blackbird Productions, LLC.

Clips of Dear White People courtesy of Homegrown Pictures.

This week on On Story we welcome screenwriter Eric Roth as he talks about about his process of adapting stories from beloved properties.

Eric Roth is a producer and writer, best known for penning the screenplays for 2021’s Dune, The Curious Case of Benjamin Button and the Academy Award® winning adaptation, Forrest Gump. 

Dune, tells a sci-fi driven hero’s journey of a young man traveling to the most dangerous planet to save his family’s future. The film took home 6 Oscars during the 2022 Academy Awards. Benjamin Button, starring Brad Pitt, follows the heart-wrenching story of a man living his life in reverse. The critically acclaimed film Forrest Gump, adapted from the Winston Groom novel of the same name, and which starred Tom Hanks, itself won 6 Oscars and became the top- grossing film in America during its theatrical run.

Clips of Forrest Gump courtesy of Paramount Pictures

Clips of Dune courtesy of Warner Bros. Entertainment

Clips of The Curious Case of Benjamin Button courtesy of Paramount Pictures

This week on On Story we’re joined by Lipscomb University filmmakers Melissa Forte & Sumner McMurtry talking about their journey from a chance encounter at Austin Film Festival to collaborating on a short film born out of a Ghost Story writing competition. Later, we’ll sit down with Bogle Family Vinyards VP of Consumer Relations, Jody Bogle, and get her insight on producing a film rich in family history and spooky occurrences. 

Melissa Forte is a filmmaker and current chair of Lipscomb University’s Department of Cinematic Arts. After six years of industry work with the Walt Disney World company, Forte spent eight years at Tenessee State University (TSU), earning tenure and building a strong program. After that time, she made the move to Lipscomb University when she was invited to chair the Department of Cinematic Arts. The skills she gained through her years of production work gave her the ability to easily transition into leading academic teams including faculty and staff. Forte is an advocate for instilling the idea that we are part of a larger society and should work to use our gifts and talents to give voice to the underestimated and often overlooked members of our communities.

Sumner McMurtry is an award-winning filmmaker from Nashville, Tennessee. His short thriller, NOT CLICKBAIT, took home the grand prize in Lipscomb University's Five Minute Film Festival and was later screened at the Nashville Film Festival, the oldest running film festival of the south. His latest short film, THEY'VE BEEN WAITING FOR YOU, premiered at the Austin Film Festival in 2022. Sumner has had a passion for storytelling for as long as he can remember. He spends a great deal of his time creating an array of projects for clients across the Middle Tennessee area.

I recently spoke with Melissa & Sumner about their experience creating the short film Phantom which premiered at the Austin Film Festival and working with the Bogle Family as producers. They've Been Waiting For You is the story of the resident spirit which inhabits the cellars of the Bogle Family Vineyards and the rich family history that accompanies the legend. 

Next, we’re talking to Jody Bogle, who served as producer on the film THEY’VE BEEN WAITING FOR YOU produced in collaboration with the Libscomb University Department of Cinematic Arts.

Jody Bogle is the Vice President of Consumer Relations, at Bogle Family Vineyards. In her role, she oversees hospitality at the family’s Home Ranch tasting room, direct-to-consumer sales, and internal and external communications and leads the winery’s international sales efforts in 40 countries around the globe. After a chance encounter with members of Libscomb University, Bogle set her sights on producing a short film in celebration of Phantom Wine from her family’s vineyards.

I recently spoke with Jody about her experience producing the short film with the Libscomb University crew.

Hey podcast listeners, This week on On Story we’re joined by Mare of Easttown writer Brad Ingelsby for a conversation on writing for the critically acclaimed television series.

Brad Inglesby is a screenwriter and producer known for 2013’s Out of the Furnace, 2020’s The Way Back and the subject of today’s episode, the HBO crime drama series, Mare of Easttown.

Mare of Easttown follows the story of a police investigator who tries to get to the bottom of a shocking murder, all while trying to keep her life together as personal drama begins to spiral out of control. A limited series consisting of 7 gripping episodes, Mare of Easttown packs a powerful punch through its tightly-crafted story spearheaded by a career-defining performance by Kate Winslet.

We sat down with Brad Inglesby for a conversation about his work at the Austin Film Festival.

This week on On Story we’re joined by Jurassic Park and Spider-Man writer David Koepp for a conversation on adaptations, collaborating with Steven Spielberg, and creating blockbusters.

David Koepp is a screenwriter and director. His screenplays for Jurassic Park, a science fiction film about a wildlife park inhabited by dinosaurs, and Spider-Man, a superhero film adapted from the Spider-Man Marvel Comics series, helped the films set numerous box office records, becoming some of the highest grossing films of their time. In 2013, Koepp received the Ian McClellan Hunter Award for career achievement from the Writers Guild of America, East for his contributions to cinema.

Moderator Harison Glaser sat down with David Koepp for a panel about his work at the Austin Film Festival.

Clips of Jurassic Park courtesy of Universal City Studios.

Clips of Bad Influence courtesy of Epic Productions.

Clips of Ghost Town courtesy of DreamWorks Films.

Clips of Spider-Man courtesy of Columbia Pictures.

This week on On Story we’re joined by Westworld co-creator, writer & director Lisa Joy for a conversation on writing science fiction.

Lisa Joy is a screenwriter, director, and producer. Her recent work includes Westworld, a dystopian science fiction thriller, and HBO mega-hit. Westworld has received an outstanding 54 Emmy Award nominations, including 9 wins, and Joy’s writing and producing have earned her 3 Emmy nominations. Joy attended the 2021 Austin Film Festival’s Writers Conference.

Westworld is set in a futuristic amusement park where wealthy visitors are given the opportunity to experience their wildest fantasies through a mode of artificial consciousness and centers on a group of robot “hosts” who begin to diverge from their programmed scripts and exhibit abnormal behavior.

Moderator Casey Baron sat down with Lisa Joy for a panel about her work at the Austin Film Festival.

Clips of Westworld courtesy of Home Box Office Television

Clips of Reminiscence courtesy of Warner Brothers Pictures

Clips of Burn Notice courtesy of Twentieth Century Fox Film Corporation

Hey podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story Podcast. This week on On Story we’re joined by The Man in the High Castle and Underground Railroad writer Jihan Crowther and King Richard writer Zach Baylin for a conversation on fact vs. fiction.

Jihan Crowther is a TV writer and playwright. Her work as a writer on The Underground Railroad, a powerful historical drama following runaway slaves in the old South, earned her a Writers Guild of America Awards nomination. She also helped write The Man in the High Castle, a dystopian take on what humanity would look like if the Axis powers had won World War II. 

Zach Baylin is a screenwriter. He received an Academy Award nomination for his screenplay King Richard, a biographical drama about how Serena and Venus Williams’ father Richard pushed them to achieve their full potential on the tennis courts. 

Moderator Casey Baron sat down with Jihan Crowther and Zach Baylin for a panel about their work at the Austin Film Festival.

Clips of The Underground Railroad and The Man in the High Castle courtesy of Amazon Studios

Clips of King Richard courtesy of Warner Bros. Pictures

Hey podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story Podcast. This week on On Story we’re joined by Shang-Chi and Wonder Woman 1984 writer Dave Callaham for a conversation on writing blockbusters intertwined with personal experiences.

Dave Callaham is a screenwriter and producer. He co-wrote the screenplay for the highly praised Shang-Chi and the Legend of the Ten Rings, a superhero film adapted from the Marvel comic series, and Wonder Woman 1984, a superhero film based on the DC Comics character. Callaham attended the Austin Film Festival in 2021.

Shang-Chi tells the story of a martial arts master who is forced to revisit his past when he is confronted by members of a secret organization called the Ten Rings. A mix of action, adventure, and fantasy, Shang-Chi was not only an outstanding commercial success, but also a huge breakthrough in cinema as it marked Marvel’s first film with an Asian lead, director, and predominantly Asian cast.

Moderator Casey Baron sat down with Dave Callaham for a panel about his work at the Austin Film Festival.

Clips of Shang-chi and the Legend of the Ten Rings courtesy of Marvel Film Studios.

Clips of Doom courtesy of Universal Pictures Home Entertainment.

This week on On Story we’re we’re taking a look at the work of screenwriter Chase Palmer who co-wrote It: Chapter One. 

Chase Palmer is a screenwriter and director known for co-authoring the screenplay for IT: Chapter One with Cary Fukinaga, as well as 2021’s Naked Singularity starring John Boyega. His two award-winning short films, Neo-Noir and Shock and Awe, have played at film festivals worldwide with his feature film debut being the adaptation of the PEN-prize winning book A Naked Singularity by by Sergio De La Pava, with Ridley Scott as a producer.

I sat down with Chase Palmer for a panel about his work at the Austin Film Festival.

Clips of It: Chapter One courtesy of Warner Brothers Entertainment

Clips of Naked Singularity courtesy of 150 Degrees Pictures

This week on On Story we’re joined by the showrunner behind The Good Place and Brooklyn Nine-Nine, Michael Schur.

Michael Schur is a screenwriter, producer and character actor. He got his start writing for Saturday Night Live before becoming a producer and writer for the comedy series The Office. Schur then went on to co-create Parks and Recreation with Office producer Greg Daniels for seven seasons, ending in 2015. Later, he created The Good Place, and co-created the comedy series Brooklyn Nine-Nine. Schur was also a producer on the Netflix series Master of None, starring Aziz Anzari.

I spoke with Michael Schur about his work at a panel at the Austin Film Festival.

Clips of The Office, The Good Place, and Parks & Recreation courtesy of National Broadcast Company

This week we’ll hear from David Kessler, writer & producer of the docu-drama Minamata starring Johnny Depp.

David Kessler began his career as a stand-up comedian in the early 2000s before quickly deciding to focus on writing. After penning a spec script for Will & Grace, he switched over to drama, and optioned the life rights and book titled Minamata, written by Aileen Mioko Smith and W. Eugene Smith. 

The film stars Johnny Depp as W. Eugene Smith, an American photographer who documented the effects of mercury poisoning on the citizens of Minamata, Kumamoto, Japan in the early 1970s.

The film went through various stages of development over many years before finally getting picked up by Johnny Depp’s production company.

I recently had the pleasure of speaking with David about the film’s journey to the big screen following it’s US release. 

Clips of Minamata courtesy of Minamata Film, LLC

This week on On Story we’re joined by The Humans writer & director Stephen Karam for a conversation on adapting a play for the big screen.

Stephen Karam is a playwright, screenwriter, and director. His plays Sons of the Prophet, a comedy-drama about a Lebanese-American family, and the subject of today’s episode, The Humans were finalists for the Pulitzer Prize for Drama in 2012 and 2016, respectively. The Humans won the 2016 Tony Award for Best Play, leading to Karam adapting the play for the big screen in 2021. The film was shown at the 2021 Austin Film Festival.

Set inside a pre-war duplex in downtown Manhattan, The Humans follows the course of an evening in which the Blake family gathers to celebrate Thanksgiving. As darkness falls outside the crumbling building, mysterious things start to go bump in the night and family tensions reach a boiling point.

Moderator Casey Baron sat down with Stephen Karam for a panel about his work at the Austin Film Festival.

Clips of The Humans courtesy of A24.

This week on On Story we’re taking a retrospective look at Donnie Darko with screenwriter Richard Kelly. 

Richard Kelly is a screenwriter and director best known for writing the 2001 cult film, Donnie Darko. Known for its mind-bending themes and enigmatic ending, along with a stellar ‘80s soundtrack, Donnie Darko remains a cult phenomenon. Featuring a young, up-and-coming Jake Gyllenhall and exploring elements of time travel, mental health, and even a scary bunny-man, Richard Kelly’s 2001 film was not an immediate success but slowly wormed its way into the minds of teenagers all across the nation.

Moderator Christopher Boone spoke with Richard Kelly about the film at a panel at the Austin Film Festival.

Clips of Donnie Darko courtesy of Flower Films

This week on On Story we’re joined by The Sopranos creator David Chase for a conversation on writing a hit television show.

David Chase is a screenwriter, showrunner, director, and producer, best known for writing and producing the HBO drama The Sopranos. Chase has also produced and written for such shows as The Rockford Files, I'll Fly Away, and Northern Exposure. He created the original series Almost Grown and has won seven Emmy Awards. Chase's film debut came in 2012 with Not Fade Away, followed by 2021’s The Many Saints of Newark, a prequel film to The Sopranos.

The Sopranos ran for six seasons from 1999 and 2007, and is widely regarded as one of the greatest television shows of all time. It is the first cable show to ever be nominated for, and win, the best drama series Emmy, and it helped to put HBO on the map and ushered in what some regard as the platinum age of television, which featured a slew of new shows and showrunners that could hold their own against the big screen.

Moderator Barry Josephson spoke with Chase about his work on the show at the Austin Film Festival.

Clips of The Sopranos courtesy of Home Box Office Television.

This week on On Story we’ll join Breaking Bad creator & showrunner Vince Gilligan for a retrospective look at the 1971 cult-classic The French Connection.   

Based on a true story, William Friedkin's 1971 hit The French Connection, gave audiences its first taste at what a truly realistic cop film could be. Starring Gene Hackman as detective Jimmy "Popeye" Doyle, the film follows the story of a driven New York cop whose intuitive street sense allows him to sniff out the secret players in a colossal heroin import operation, bringing the drugs into New York from Marseille. At a time where drug addiction was at an all time high, The French Connection brought a sense of realism to Hollywood’s law enforcement films by throwing the proverbial book at them.

Breaking Bad creator Vince Gilligan, an avid fan of Friedkin’s work, sat down with me after a retrospective screening of the film at the Austin Film Festival.

Clips of The French Connection courtesy of Twentieth Century Fox Film Corporation

After hearing about Ron Woodroof, the original founder of the "Dallas Buyers Club" for the distribution of unapproved HIV medications, in the early 1990s, and interviewing Woodroof in 1992, Borten decided to write a screenplay about Woodroof and his buyer's club. He successfully sold the script in 1996, but shortly afterward the production company that had bought it dissolved. In 2001, he rewrote the script with Melisa Wallack and in 2009, Borten and Wallack were able to cast Matthew McConaughey and secure funding for the film's production. The film was released in 2013, more than two decades after Borten met Woodroof, and more than 15 years after selling his first version of the script. Dallas Buyers Club received numerous accolades, including Academy Award nominations for Best Picture and Best Original Screenplay.

Moderator Fred Strype spoke with Borten at the Austin Film Festival.

Clips of Dallas Buyers Club courtesy of Truth Entertainment & Dallas Buyers Club, LLC

This week on On Story we’ll hear from screenwriter April Shih who has worked on shows like Dave, You’re The Worst, and This is America and Tripper Clancy who wrote the script for 2019’s Stuber, and has worked on Netflix’s I Am Not Okay With This.

April Shih is a screenwriter and producer, known for You're the Worst, Mrs. America,starring Cate Blanchett and most recently served as supervising producer on FX’s Dave, which follows the semi-autobiographical story of American rapper Lil Dicky. April has also produced several films and plays including the Ovation Award-winning revival of Kiss of the Spiderwoman: The Musical.

Tripper Clancy is a screenwriter known for writing the scripts for Stuber which starred Kumali Nanjiani and Dave Bautista as well as Die Hart starring Kevin Hart and John Travolta. After working in the Fox Writers Studio in 2011, Tripper went on to write comedies and dramas of all shapes and sizes for Columbia Pictures, 20th Century Fox, Amazon, and is currently a writer on season one of I Am Not Okay With This, a half-hour show for Netflix.

Moderator Harrison Glaser spoke with the pair about their journeys as writers at the Austin Film Festival.

Clips of Dave courtesy of FX Productions, LLC.

Clips of You’re The Worst courtesy of Bluebush Productions, LLC.

Clips of I Am Not Okay With This courtesy of Netflix Studios, LLC.

Clips of Stuber courtesy of Twentieth Century Fox Film Corporation.

This week on On Story we’re taking a look back at the 1972 cult classic, Greaser’s Palace with Legendary filmmakers Paul Thomas Anderson & Jonathan Demme.

In 1972, following a succession of truly unruly underground films, including 1968’s Putney Swope, Robert Downey Sr. gave the world a new take on the holy story of Jesus Christ in the form of the acid-western Greaser’s Palace. Featuring a brilliant mix of offbeat character actors and willing amateurs, Downey weaves a New Testament allegory against the backdrop of an absurdist Western parody.  

Paul Thomas Anderson, director of 2021’s Licorice Pizza and the Silence of the Lambs joined director Jonathan Demme to pay tribute to Robert Downey Sr. 's cult classic after a retrospective screening at the Austin Film Festival. 

Clips of Greaser’s Palace courtesy of Greaser’s Palace Company

This week on On Story we’ll join queens of comedy Katie Dippold, Liz Meriwether, & Paula Pell for a conversation all about writing for laughs.   Actress, comedian, and screenwriter, Katie Dippold, wrote for NBC’s hit comedy series Park and Recreation as well as the comedy films, The Heat, starring Sandra Bullock and Melissa McCarthy, and the 2016 Ghostbusters reboot. 

Liz Meriwether is a writer, producer and television showrunner known for creating the Fox sitcom New Girl, and for writing the romantic comedy film No Strings Attached. She also created the ABC sitcoms Bless This Mess and most recently, Single Parents

Paula Pell got her start working in the writers room at Saturday Night Live in 1995 where she wrote for nearly 20 years before also working as a writer and producer for 30 rock. You may recognize from her cameos as “Paula”, Pete Hornberger’s wife, or as Parks and Rec’s “Tammy Zero,” Ron Swanson’s mother and very, skilled drinker. She performed in the 2015 Oscar-winning Birdman and Anchorman 2. Her body of work also includes writing credits on Bridesmaids, This is 40, and The Heat as well as the Tina Fey & Amy Pohler comedy, Sisters.

Moderator Paul Feig sat down with this panel of writers at the Austin Film Festival.

Clips of Bridesmaids courtesy of Universal City Studios LLC

Clips of The Heat courtesy of  Twentieth Century Fox Film Corporation

Hi podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story we’re joined by screenwriting duo Mikki Daughtry and Tobias Iaconis discussing their journey writing films such as Five Feet Below, and the recent Netflix adaptation of the J.A. White fantasy-horror novel, Nightbooks.

Mikki Daughtry is a screenwriter and young adult fiction author. She is best known for writing, along with writing partner Tobias Iaconis, the films The Curse of La Llorona, Five Feet Apart, and Netflix’s Nightbooks. 

Tobias Iaconis is also a screenwriter best known for his work with Daughtry, as well as 2009’s Behind Enemy Lines: Columbia. In 2012 he partnered with Daughtry for an adaptation of the Jack Kilborn action-horror novel Afraid. 

Moderator Harrison Glaser sat down with the pair to discuss their process at the Austin Film Festival.

Clips of The Curse of La Llorona courtesy of Warner Brothers Pictures

Clips of Five Feet Apart courtesy of CBS Films

Hello podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story we’re joined by The Terror writer, Dave Kajganich discussing the elements of scare. Kajganich is a screenwriter and producer. He has written several films in the horror genre, including 2009’s Blood Creek and the AMC network television series The Terror, as well as 2018’s Suspiria, on which he collaborated with Italian director Luca Guadagnino.

I spoke with Dave Kajganich about his process of writing for the horror genre at the Austin Film Festival.

Clips of The Terror courtesy of AMC Studios

Hi podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story the writers behind I AM LEGEND, TRUE BLOOD & THE WALKING DEAD discuss bringing the undead to life on screen. 

Mark Protosevich is a screenwriter known for his work on the films Poseidon, Thor, Oldboy and most relevant to today’s episode, I Am Legend. 

Alexander Woo is a screenwriter best known for writing several episodes of the HBO drama series True Blood. While also serving as Executive Producer on the show, True Blood earned an Emmy nomination, two Golden Globe nominations, and two NAACP Image Award nominations. 

Angela Kang is a screenwriter and producer currently serving as showrunner on the AMC horror drama series The Walking Dead. In addition to working on The Walking Dead and other shows, Kang also starred on the Talking Dead, a talk show about The Walking Dead and Fear the Walking Dead. 

Moderator Greg Garett spoke with this seasoned panel of writers about their craft at the Austin Film Festival.

Hello podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story, horror writers Akela Cooper and Owen Egerton discuss their love for the genre, setups and payoffs, emotional scares, and inspirational moments from classic horror films. 

Akela Cooper is a television writer and producer whose work includes Hell Fest, American Horror Story; and Netflix’s Luke Cage. She began her career as the Writer’s Assistant on ‘Dexter’ and the Researcher on ‘Jericho.’ Following the programs, she landed her first staff writing job on the ABC series V. She then joined the NBC paranormal drama Grimm in 2012, as story editor and has since written for The 100 and Witches of East End, for which she also served as a co-producer. Cooper is currently set to write the next installment in James Wan’s Conjuring universe, Nun 2, produced by New Line.

Owen Egerton is the writer/director of Mercy Black, Follow, and Blood Fest as well as a novelist whose work includes Hollow, which was named one of the Best Books of the Year by NPR. Working in both horror and comedy, Egerton's screenplays have landed on the Black List and the Blood List, and have earned him writing work for Warner Brothers, Disney, and Fox Studios.

Moderator Paul Alvarado-Dykstra spoke with Cooper & Egerton at the Austin Film Festival.

This week on On Story we’ll join veteran screenwriters Shane Black and Ric Roman Waugh as they discuss what it takes to write and direct a big-budget blockbuster. 

Considered one of the pioneer screenwriters of the action genre, Shane Black made his mark with his 1987 screenplay, Lethal Weapon. Black went on to pen the screenplays for such films as Nice Guys, Iron Man 3, Kiss Kiss, Bang Bang, and the latest addition to the Alien vs. Predator franchise: Predator. 

Ric Roman Waugh is a former stuntman, director, writer, and producer, known for his work in Felon, Snitch, and Shot Caller. He wrote and directed the third installment of the Has Fallen series, Angel Has Fallen in 2019, and is currently in production of Night Has Fallen, the fourth installment in the series.

Moderator Harrison Glaser spoke with Shane and Ric at the Austin Film Festival

This week on On Story we’re diving behind the pages of the 1999 classic horror film The Blair Witch Project with screenwriter Daniel Myrick & his wife and research partner Julia Myrick. Daniel Myrick is a director and screenwriter, most known for co-directing and writing the 1999 psychological horror The Blair Witch Project with Eduardo Sánchez. Considered a seminal work in low budget, filmmaking, as well as being one of the highest grossing films in history, the film ushered in a new methodology of production and grass roots marketing that is still being utilized today. He later went on to pen the screenplays for Believers, which he co-wrote with his now wife, Julia Myrick, Solstice, The Objective and the 2020 sci-fi found footage horror film Skyman. 

This week on On Story we’re joined by Academy award winning screenwriter Ron Bass. In 1989, Bass won an Academy Award for co-writing Rain Man. The iconic road trip film stars Tom Cruise and Dustin Hoffman and took home 4 Oscars – including Best Picture, Best Director, and Best Actor, in addition to Bass’ award for writing. Bass’ other writing credits include My Best Friend’s Wedding, The Joy Luck Club, and Stepmom. Over his 35-year career Bass has written 211 scripts which span a variety of genres. Ron Bass sat down with Film Programmer Casey Baron to discuss his process of writing the film What Dreams May Come after a retrospective screening at the Austin Film Festival.

Clips of What Dreams May Come courtesy of Polygram Filmed Entertainment & Universal Pictures Home Entertainment

Hello podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story we’re taking a trip out west with Babaloo Mandel and Lowel Ganz, the screenwriting duo behind the classic American Western comedy, CITY SLICKERS. Lowell Ganz and Marc “Babaloo” Mandel are long-time screenwriting partners that began their careers writing for comedic television in the 1970s. The two New Yorkers met in a Hollywood comedy club where Mandel worked as a joke writer. Having both served on the writing staff for the sitcom THE ODD COUPLE they discovered that they had a lot in common, including their off-beat sense of humor and a love of Billy Wilder. Their creative partnership began with collaborations on Laverne and Shirley and the duo made their feature screenplay debut with the black comedy NIGHT SHIFT. They would go on to write hits such as PARENTHOOD, A LEAGUE OF THEIR OWN, and the subject of today’s episode, CITY SLICKERS. I spoke with the pair at a year-round event presented by the Austin Film Festival. 

Clips of City Slickers courtesy of Castle Rock Entertainment

Clips of Night Shift courtesy of The Ladd Company

Clips of Parenthood courtesy of Universal City Studios, Inc., and Imagine Films Entertainment, Inc.

Clips of League of their Own courtesy of Columbia Pictures Industries, Inc.

This week on On Story writing duo, David Benioff & D.B. Weiss joins Catherine Reitman & Sarah Green in conversation about the Art of Storytelling. Catherine Reitman is a screenwriter, and actress known for her roles on Black-ish and It’s Always Sunny in Philadelphia. Most recently, Reitman served as the creator, executive producer, writer, and star of the CBC comedy series Workin' Moms. Sarah Green is a producer, known for her work on Terrance Malik’s The Tree of Life, and Jeff Nichols’ Mud, and Loving. Benioff and Weiss created GAME OF THRONES. Under their supervision the series ran for 8 seasons, won 59 Emmys, and became one of HBO’s most popular programs. Producer Barry Josephson spoke with them on a panel about the Art and Craft of Storytelling at the Austin Film Festival.

This week on On Story we’ll hear from television writers, David Benioff & D.B. Weiss on their process of adapting the Emmy Award-winning HBO television series GAME OF THRONES. Benioff and Weiss created GAME OF THRONES, the HBO adaptation of George R.R. Martin’s series of books ‘A Song of Ice and Fire’. Under their supervision the series ran for 8 seasons, won 59 Emmys, and became one of HBO’s most popular programs. 

Hi podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story we’ll hear from screenwriter and director Doug Atchison. Atchison is a writer-director best known for the 2006 film, Akeelah and the Bee which stars Keke Palmer and Laurence Fishburne. In 2000 the Atchison’s script won a Nicholl Fellowship in Screenwriting and the film later earned him a win at the 2007 Image Awards for Outstanding Writing in a Feature Film. Atchison went on to pen the screenplay for the 2018 biopic Brian Banks for which he won a Humanitas award. Moderator Alex Mitchell spoke with Atchison after a screening of Akeelah and the Bee at the Austin Film Festival.

Clips of Akeelah and the Bee courtesy of LionsGate Films

Hi podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story we’ll hear from screenwriter and director Doug Atchison. Atchison is a writer-director best known for the 2006 film, Akeelah and the Bee which stars Keke Palmer and Laurence Fishburne. In 2000 the Atchison’s script won a Nicholl Fellowship in Screenwriting and the film later earned him a win at the 2007 Image Awards for Outstanding Writing in a Feature Film. Atchison went on to pen the screenplay for the 2018 biopic Brian Banks for which he won a Humanitas award. Moderator Alex Mitchell spoke with Atchison after a screening of Akeelah and the Bee at the Austin Film Festival.

Clips of Akeelah and the Bee courtesy of LionsGate Films

Hello podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story we’ll hear from award-winning screenwriter, playwright, producer and director, Kemp Powers. Kemp Powers is a Golden Globe-award winning, playwright, producer and director. In 2020 he co-directed and wrote the Academy Award Winning Pixar animated feature, Soul. He later wrote the critically acclaimed Amazon feature, One Night In Miami, which he adapted from his 2013 award-winning stage play. He was nominated for Best Adapted Screenplay at the 2021 Academy Awards. The film is a fictional account of one incredible night where icons Muhammad Ali, Malcom X, Sam Cooke, and Jim Brown gathered to discuss their roles in the Civil Rights Movment of the 60s. I spoke with Kemp Powers about his journey as a writer at a year round Austin Film Festival event that was co-presented with the Academy of Motion Picture Arts and Sciences’ Educational Initiatives.

Clips of One Night in Miami courtesy of Amazon Studios.

Clips of Soul courtesy of  Walt Disney Pictures and Pixar Animation Studios.

This week on On Story we’ll hear from screenwriter Kelly Masterson as he takes on a journey from Script to Screen of the 2013 sci-fi action film, SNOWPIERCER, which was directed by Korean filmmaker Bong Joon-ho. The film follows the story of Chris Evans as Curtis Everett, one of the lower-class tail-section passengers of a train carrying the last remnants of humanity, as they rebel against the elite of the front of the train.

Moderator Dennis Bishop spoke with Masterson on a panel at the Austin Film Festival.

Clips of Snowpiercer courtesy of Moho Film & Opus Pictures

This week on On Story we’ll hear from writer-director Neil Jordan who gave us the cinematic classics THE CRYING GAME, MICHAEL COLLINS, and INTERVIEW WITH THE VAMPIRE.

Neil Jordan is an Irish film director, screenwriter, novelist and short-story writer whose credits include THE CRYING GAME, MICHEAL COLLINS and INTERVIEW WITH THE VAMPIRE. In 1992 he won an Academy Award for best original screenplay for THE CRYING GAME. Most recently he wrote and directed 2018’s GRETA which stars Chloë Grace Moretz, as well as the television series RIVIERA. Producer Barry Josephson spoke with Jordan at the Austin Film Festival on a panel about his career as a writer-director.

Clips of Mona Lisa courtesy of HandMade Films

Clips of The Crying Game courtesy of Palace Pictures

Clips of Interview with The Vampire courtesy of  Geffen Pictures

This week on On Story we’ll hear from three-time Academy Award-nominated screenwriter, producer, playwright John Logan, about his journey from writing for the stage to the screen. John Logan is a playwright, screenwriter, and television producer known for his work on Gladiator, The Aviator, and 2011’s Hugo. In 1999 he wrote Any Given Sunday which was directed by Oliver Stone. His other work includes Rango, Sweeney Todd: The Demon Barber of Fleet Street for which he received a Golden Globe as well as the James Bond films Skyfall and Spectre.

Producer Barbara Morgan, spoke with Logan about his incredible journey on a panel at the Austin Film Festival.

This week on On Story we’ll hear from television writer & producer Howard Gordon on his process of creating a hit television series. Howard Gordon is a television writer and producer best known for his work on the Fox action series 24 and the award-winning Showtime thriller Homeland which he co-developed with Alex Gansa. Gordon first gained national attention for his award-winning work on Fox’s groundbreaking series The X-Files, for which he won multiple Golden Globes. His other credits include Tyrant, Legends, Angel, Buffy the Vampire Slayer, Beauty and the Beast, Sisters, and Spenser: For Hire.

Producer Barry Josephson spoke with Gordon at the Austin Film Festival at a panel about his process of writing for hit television.

Clips of Homeland, The X-Files, and 24 courtesy of Twentieth Century Fox Film Corporation

This week on On Story, award-winning writer and director Brenda Chapman discusses how female perspective, a love of art, and an understanding of flawed characters influenced her writing in the animated classics The Lion King, The Prince of Egypt, and Brave.

Brenda Chapman is an American writer, storyboard artist, and director. In 1998, she became the first woman to direct an animated feature from a major studio, DreamWorks Animation's The Prince of Egypt. In 2012, she co-directed the Disney/Pixar film Brave with Mark Andrews, becoming the first woman to win the Academy Award for Best Animated Feature. Writer and Professor Greg Garrett spoke with Chapman about her process of taking ideas from the drawing board to the screen at the Austin Film Festival.

Clips of Beauty and the Beast, The Lion King & The Rescuers Down Under courtesy of Walt Disney Pictures

Clips of The Prince of Egypt courtesy of DreamWorks, LLC

Clips of Brave courtesy of Pixar & Disney Enterprises, Inc.

This week on On Story we’ll hear from veteran screenwriters John Lee Hancock, Brian Helgeland and Robin Swicord on the process of creating compelling characters. And later, award-winning writer and director Brenda Chapman discusses how female perspective, a love of art, and an understanding of flawed characters influenced her writing in the animated classics The Lion King, The Prince of Egypt, and Brave.

Characters are the emotional anchor for all great stories. No matter how intricate the plot, well-developed characters are crucial ingredients for engaging an audience and encouraging them to invest in a story's journey. I spoke with a group of veteran screenwriters about their process of crafting compelling characters at the Austin Film Festival. John Lee Hancock is a director, writer and producer most known for his work on The Blind Side, A Perfect World and his latest film The Little Things. Brian Helgeland is a screenwriter, producer and director. His writing credits include L.A. Confidential, Man on Fire, and A Knight’s Tale. Robin Swicord is the writer of The Curious Case of Benjamin Button, Memoirs of a Geisha and Little Women.

Clips of A Knight's Tale courtesy of Columbia Pictures

Clips of A Perfect World courtesy of Warner Brothers Pictures, Inc

Clips of The Curious Case of Benjamin Button courtesy of Paramount Pictures and Warner Bros. Pictures, Inc.

Clips of Man on Fire courtesy of 20th Century Fox Film Corporation & Regency Entertainment

This week on On Story we’ll hear from veteran screenwriters John Lee Hancock, Brian Helgeland and Robin Swicord on the process of creating compelling characters. And later, award-winning writer and director Brenda Chapman discusses how female perspective, a love of art, and an understanding of flawed characters influenced her writing in the animated classics The Lion King, The Prince of Egypt, and Brave.

Characters are the emotional anchor for all great stories. No matter how intricate the plot, well-developed characters are crucial ingredients for engaging an audience and encouraging them to invest in a story's journey. I spoke with a group of veteran screenwriters about their process of crafting compelling characters at the Austin Film Festival. John Lee Hancock is a director, writer and producer most known for his work on The Blind Side, A Perfect World and his latest film The Little Things. Brian Helgeland is a screenwriter, producer and director. His writing credits include L.A. Confidential, Man on Fire, and A Knight’s Tale. Robin Swicord is the writer of The Curious Case of Benjamin Button, Memoirs of a Geisha and Little Women.

Clips of A Knight's Tale courtesy of Columbia Pictures

Clips of A Perfect World courtesy of Warner Brothers Pictures, Inc

Clips of The Curious Case of Benjamin Button courtesy of Paramount Pictures and Warner Bros. Pictures, Inc.

Clips of Man on Fire courtesy of 20th Century Fox Film Corporation & Regency Entertainment

Hello podcast listeners, you’re listening to Austin Film Festival’s On Story. This week on On Story we’ll hear from the filmmakers behind The Outpost. The film, which stars Scott Eastwood and Orlando Bloom, was adapted from Jake Tapper’s book The Outpost: An Untold Story of American Valor which follows the story of a team of American soldiers as they valiantly work together to survive behind enemy lines. The panel included writers Eric Johnson and Paul Tamasy, director Rod Lurie, and producer Paul Merryman. We spoke with the team behind The Outpost at the Austin Film Festival.

Clips of The Outpost courtesy of Millennium Media & Screen Media Films

Hello podcast listeners. This week on On Story we’ll hear from Bill Hader and Alec Berg, the creators of HBO’s hit crime show, Barry. Alec Berg is a writer, producer and director whose credits include Seinfeld, Curb Your Enthusiasm, Silicon Valley and Barry which he co-created with Bill Hader. He’s been nominated for eighteen Emmys, ten Writers Guild awards and a Razzie. Bill Hader is an actor, writer and producer best known for his work on Saturday Night Live, for which he received four Primetime Emmy Award nominations and Peabody Award. We spoke with Alec Berg and Bill Hader at the Austin Film Festival, at a panel about their process of creating the hit HBO series Barry, which stars Bill Hader as a hitman who travels to Los Angeles to kill someone and finds himself drawn towards human connection in the form of a group of aspiring actors.

Clips of Barry courtesy of Home Box Office Television

Hello podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story we’ll hear from Scott Alexander and Larry Karaszewski. Alexander & Karaszewski are a screenwriting duo, best known for their unusual biopics with larger-than-life characters. Their film credits include: The People vs. Larry Flynt, American Crime Story: THE PEOPLE V. O.J. SIMPSON, and Ed Wood. Their first commercial success was 1990’s Problem Child, which later spawned two sequels. In 1994 they released the biographical dramedy Ed Wood which was directed by Tim Burton and won two Academy Awards. Their first foray into television was American Crime Story: THE PEOPLE V. O.J. SIMPSON, a true crime anthology drama based on the O. J. Simpson  murder trial. The show went on to win nine Primetime Emmys after it aired on FX in 2016, with Alexander and Karaszewski nominated for Outstanding Writing for a Limited Series, Movie, or Dramatic Special. Producer Barry Josephson spoke with Alexander & Karaszewski at a panel at the Austin Film Festival.

Clips of Problem Child courtesy of Universal City Studios & Imagine Entertainment

Clips of Ed Wood courtesy of Touchstone Pictures & The Walt Disney Company

Clips of The People vs. Larry Flynt courtesy of Columbia Pictures Industries

Clips of American Crime Story courtesy of Twentieth Century Fox Film Corporation & FX

Clips of Man on the Moon courtesy of Universal Pictures

Hello podcast listeners, I’m Barbara Morgan and you’re listening to Austin Film Festival’s On Story. This week on On Story we’ll hear from Seinfeld writer David Mandel. David Mandel was the executive producer and showrunner of the Emmy Award-winning TV show Veep, and was also an executive producer and director of Curb Your Enthusiasm. He was a writer for several seasons of Seinfeld and also co-wrote the screenplay for the 2003 film adaptation of The Cat In The Hat. Comedian John Merriman spoke with Mandel at a retrospective screening of episodes of Seinfeld at the Austin Film Festival.

Clips of Seinfeld courtesy of NBC

This week on On Story we’ll hear from Gone Girl author and screenwriter Gillian Flynn.

Gillian Flynn is the author of the #1 New York Times bestseller Gone Girl, for which she wrote the Golden Globe-nominated screenplay. She is also the author of the New York Times bestsellers Dark Places and Sharp Objects. Flynn later adapted and executive produced the Emmy-nominated SHARP OBJECTS for HBO in 2018, which starred Amy Adams and Patricia Clarkson. Also in 2018, Flynn co-wrote, with director Steve McQueen, the screenplay for the heist thriller WIDOWS, starring Viola Davis, Michelle Rodriguez, and Cynthia Erivo. Most recently, Flynn wrote and executive produced UTOPIA for Amazon. I spoke with Gillian Flynn at the 2020 Austin Film Festival about her creative process of writing across mediums and adapting her own work. 

Clips of Gone Girl & Widows courtesy of Twentieth Century Fox Film Corporation & Regency Entertainment

Clips of Sharp Objects courtesy of Warner Brothers Television & HBO

Clips of Dark Places courtesy of A24 & Denver & Delilah Films

This week on On Story we’ll hear from Ed Solomon, the screenwriter behind Men in Black and the co-writer of the Bill & Ted series. Solomon has had a major film released in each of the last 5 decades starting in 1989 with his first feature Bill & Ted’s Excellent Adventure, which he co-wrote with Chris Matheson. That film has spawned 2 sequels, both written by Solomon and Matheson, Bill & Ted’s Bogus Journey, and 2020’s Bill & Ted Face the Music. Solomon wrote Men in Black, Now You See Me, and HBO’s interactive series Mosaic. I spoke with Solomon about his writing and the process behind deciding which ideas to pursue at the 2020 Austin Film Festival.

This week on On Story, a conversation with The Queen’s Gambit co-creator, Scott Frank and Chernobyl researcher Mimi Munson. Frank is an Academy Award nominated screenwriter whose recent project, The Queen’s Gambit, won Best Miniseries at the Golden Globes. I spoke with Frank and Munson at the 2020 virtual Austin Film Festival about their frequent collaboration and how research plays a crucial part in developing projects.

This week on On Story, Emmy-award winning television creator and screenwriter Damon Lindelof joins us for a conversation about the HBO series Watchmen. The series was nominated for 26 Emmy awards - ultimately winning 11, including Best Limited Series.

Clips of Watchmen courtesy of DC Comics, Home Box Office, and Warner Brothers Television

Clips of The Leftovers courtesy of Warner Brothers Television and Home Box Office

This week on On Story, critically acclaimed writer, Kevin Willmott, joins us for an in-depth conversation on balancing messages of social justice with entertainment. His filmography includes collaborations with filmmaker Spike Lee on Da 5 Bloods, Chi-Raq, and  BlacKkKlansman – which one the Academy Award for Best Adapted Screenplay 2019. Greg Garrett spoke with Willmott at the virtual Austin Film Festival.

Clips of The Searchers courtesy of C.V. Whitney Pictures, Warner Brothers, and HBOMax

Clips of Destination Planet Negro courtesy of Candy Factory Films

Clips of BlackKklansman courtesy of Focus Features, Universal Pictures Home Entertainment, and 40 Acres & A Mule Filmworks

Clips of the 24th courtesy of New Slate Ventures and Vertical Entertainment

Clips of She’s Gotta Have It courtesy of 40 Acres & A Mule Filmworks and MGM Home Entertainment

Clips of Chi-Raq courtesy of 40 Acres & A Mule Filmworks and Amazon Studios

Clips of Da 5 Bloods courtesy of Netflix

This week on On Story, filmmakers Stanley Kalu and Ali Leroi discuss the journey of bringing The Obituary of Tunde Johnson from a screenplay competition to the screen. The film follows an African-American teenager that is trapped in a terrifying time loop after being shot to death by police. Ali LeRoi is an Emmy Award-winning writer who is best known for co-creating the hit series Everybody Hates Chris. Stanley Kalu, is a screenwriter and former USC student - Tunde Johnson is his first produced screenplay. The pair spoke with Senior Film Programmer, Casey Baron, at the 2019 Austin Film Festival.

Clips of The Obituary of Tunde Johnson courtesy of Wolfe Releasing.

This week on On Story, a conversation with industry veteran, Akiva Goldsman. Goldsman has written across multiple genres -- from superhero movies to biographies tackling mental health issues. Some of his most recognizable film credits include Batman Forever and Batman and Robin, The Client, The Da Vinci Code, and the four-time Academy Award Winner A Beautiful Mind, which earned Goldsman a win for Best Adapted Screenplay. Recently, Goldsman has worked as a writer, director, and producer for the newest addition to the Star Trek television franchise, Star Trek: Picard.

This week on On Story, John Lee Hancock discusses writing and directing The Little Things. The film stars Denzel Washington, Jared Leto, and Rami Malek, and follows two police officers in pursuit of a serial killer terrorizing Los Angeles in the 1990s.