Austin Film Festival's On Story

This week on On Story, a conversation with Lee Eisenberg about the launch of his comedy writing career. Eisenberg and his writing partner Gene Stupnitsky broke into the industry with their adventure-comedy screenplay, Year One, an irreverent retelling of the Book of Genesis in which they collaborated with the iconic comedian and filmmaker, Harold Ramis, who went onto direct the film for the Apatow Company.

In tandem writing with Year One, Lee and Gene were staffed on season two of the notorious comedy television hit, The Office, where they wrote for five hilarious seasons. Masters of craft and discomfort comedy, stories that bring audiences right to the edge of unbearable cringe before easing them with a laugh, Lee and Gene wrote many celebrated teleplays for The Office, including Dinner Party, The Lover, and audience favorite Scott's Tots, in which Michael Scott realizes he cannot fulfill his long-time promise to pay the college tuition of local students. 

Eisenberg discusses his process of co-writing these scripts and the importance of leaving pathos and humanity into the most cringey comedic protagonists. Eisenberg also expands on his and Gene's process creating the out-of-the-box reality hoax sitcom, Jury Duty, in which Ronald Gladden, appearing as himself, was unaware that the entire case and jury proceeding had been staged. The one-of-a-kind comedy series was nominated for both Emmy and Golden Globe Awards. 

Lastly, Eisenberg elaborates on his latest project: developing the historical drama miniseries Lessons in Chemistry, based on the bestselling book of the same name. Eisenberg reveals how the artistry of the novel not only sparked his genre switch, but inspired him to subtly impart aspects of his lived experience into the Apple TV series.

The Office clips courtesy of NBC.

Jury Duty clips courtesy of Amazon Freevee.

Good Boys clips courtesy of Universal Pictures.

Lessons in Chemistry clips courtesy of Apple TV.

Direct download: OSP_Lee_Eisenberg_RC2_Mix1.mp3
Category:Film and Television -- posted at: 11:00am CST

This week on On Story, Austin Film Festival moderator Harrison Glaser speaks with Karyn Kusama about her filmography, the evolution of her storytelling, and her focus on strong female protagonists.

In her debut feature, Girlfight, Kusama drew from her own experiences training in a boxing gym and living in New York City, building Michelle Rodriguez’s character from young women she encountered on the subway. Kusama discusses connecting to their guarded nature and writing a protagonist that her audiences could root for. 

After the release of Girlfight, Kusama received critical praise and went onto direct her first studio film, Aeon Flux, co-written by Matt Manfredi and Phil Hay. Hay would become her husband and life partner, and her creative partnership with both Hay and Manfredi would lead to The Invitation and Destroyer. 

Kusama also discusses her experiences in episodic storytelling. Her television credits include Halt and Catch Fire, Billions, and the genre-bending hit, Yellowjackets. She delves into the ways that directing television keeps her craft sharp, and discusses how she and Yellowjackets co-creators Ashley Lyle and Bart Nickerson infuse cinematic sequences into shorter film storytelling.

Throughout her illustrious career, Kusama has perhaps been best-known for the cult classic Jennifer’s Body, the black comedy horror film written by Diablo Cody and starring a young Megan Fox and Amanda Seyfried. In conversation at the Austin Film Festival, Kusama recounts her connection with Cody’s voice and their creative exploration of female friendship as the emotional core of that story.

Girlfight clips courtesy of United Artists.

Jennifer’s Body clips courtesy of 20th Century Studios.

The Invitation clips courtesy of The Invitation, LLC.

Yellowjackets clips courtesy of Showtime.

Direct download: OSP_Karyn_Kusama_CORRECTED.mp3
Category:Film and Television -- posted at: 11:00am CST

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